England -- Social life and customs -- 19th century -- Fiction; Humorous stories
‘“Halloa! stop a minute!” cries Tom; “here’s a mistake. I need condoling
with by sympathising woman, under my afflicting circumstances; but we’re
out in the figure. Change partners, Mooney.”
‘“Monster!” cries Tom’s young lady, clinging to the Gifted.
‘“Miss!” says Tom. “Is _that_ your manners?”
‘“I abjure thee!” cries Tom’s young lady. “I renounce thee. I never
will be thine. Thou,” she says to the Gifted, “art the object of my
first and all-engrossing passion. Wrapt in thy sublime visions, thou
hast not perceived my love; but, driven to despair, I now shake off the
woman and avow it. Oh, cruel, cruel man!” With which reproach she laid
her head upon the Gifted’s breast, and put her arms about him in the
tenderest manner possible, gentlemen.
‘“And I,” says the other young lady, in a sort of ecstasy, that made Tom
start—“I hereby abjure my chosen husband too. Hear me, Goblin!”—this was
to the Gifted—“Hear me! I hold thee in the deepest detestation. The
maddening interview of this one night has filled my soul with love—but
not for thee. It is for thee, for thee, young man,” she cries to Tom.
“As Monk Lewis finely observes, Thomas, Thomas, I am thine, Thomas,
Thomas, thou art mine: thine for ever, mine for ever!” with which words,
she became very tender likewise.
‘Tom and the Gifted, gentlemen, as you may believe, looked at each other
in a very awkward manner, and with thoughts not at all complimentary to
the two young ladies. As to the Gifted, I have heard Tom say often, that
he was certain he was in a fit, and had it inwardly.
‘“Speak to me! Oh, speak to me!” cries Tom’s young lady to the Gifted.
‘“I don’t want to speak to anybody,” he says, finding his voice at last,
and trying to push her away. “I think I had better go. I’m—I’m
frightened,” he says, looking about as if he had lost something.
‘“Not one look of love!” she cries. “Hear me while I declare—”
‘“I don’t know how to look a look of love,” he says, all in a maze.
“Don’t declare anything. I don’t want to hear anybody.”
‘“That’s right!” cries the old gentleman (who it seems had been
listening). “That’s right! Don’t hear her. Emma shall marry you
to-morrow, my friend, whether she likes it or not, and _she_ shall marry
Mr. Grig.”
‘Gentlemen, these words were no sooner out of his mouth than Galileo
Isaac Newton Flamstead (who it seems had been listening too) darts in,
and spinning round and round, like a young giant’s top, cries, “Let her.
Let her. I’m fierce; I’m furious. I give her leave. I’ll never marry
anybody after this—never. It isn’t safe. She is the falsest of the
false,” he cries, tearing his hair and gnashing his teeth; “and I’ll live
and die a bachelor!”
‘“The little boy,” observed the Gifted gravely, “albeit of tender years,
has spoken wisdom. I have been led to the contemplation of woman-kind,
and will not adventure on the troubled waters of matrimony.”
Public-domain text, read in full here on John Shaqi.
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