The Land Beyond the Forest: Facts, Figures, and Fancies from TransylvaniaGerard, E. (Emily)
History
The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania
Gerard, E. (Emily)
Transylvania (Romania) -- Description and travel
Dancing usually takes place in the open air; and in villages where
ball-room etiquette is duly observed, the fair ones can only be
conducted to the dance by the director himself, or by one of his
appointed aides-de-camp. It is so arranged that after the leader has
for a time shown off several girls in the manner described—so to
say, set them agoing—he makes a sign to other young men to take them
off his hands, while he himself repeats the proceeding with other
_débutantes_.
The music usually consists of bagpipes and violin, the latter sometimes
replaced by one or two flutes. The musicians, who are frequently blind
men or cripples, stand in the centre, the dancers revolving around
them. Tzigane-players are rarely made use of for Roumanian dances, as
they do not interpret the Roumanian music correctly, and are accused of
imparting a bold, licentious character to it.
There are many occasions on which music is prescribed, and on all such
it should not be wanting; but it is considered unseemly for music to
play without special motive, and when the Roumanian hears music he
invariably asks, “La ce cântà?”—for whom do they play?
Fully as many matrons as maidens figure at the village merrymakings,
for, unlike the Saxon, the Roumanian woman does not dream of giving
up dancing at her marriage. Wedlock is to her an emancipation, not a
bondage, and she only begins really to enjoy her life from the moment
she becomes a wife. For instance, it is considered quite correct for a
married woman, especially if she has got children, to suffer herself to
be publicly kissed and embraced by her dancer, and no one present would
think of taking umbrage at such harmless liberties.
* * * * *
In reciting or making a speech, the Roumanian is careful to speak
slowly and distinctly, with dignity and deliberation, and to avoid much
gesticulation, which is regarded as ridiculous. It is also considered
distinguished to speak rather obscurely, and veil the meaning under
figures of speech—a man who says his meaning plainly in so many words
being considered as wanting in breeding.
Public-domain text, read in full here on John Shaqi.
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