The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania — John Shaqi
The Land Beyond the Forest: Facts, Figures, and Fancies from TransylvaniaGerard, E. (Emily)
History
The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania
Gerard, E. (Emily)
Transylvania (Romania) -- Description and travel
We unfortunate strangers, bootless, gloveless, coatless, and
puddingless as we were in those days, had a very hard time of it
indeed while this national fever was at its height, and keenly felt
the terrible disadvantage of not having been born as ancient Saxons.
At last, however, the preparations were complete, and forgetting our
privations, we were fain to acknowledge the sight to be one of the
most curious and exceptional we had ever witnessed. The old-fashioned
streets made a fitting background for this mediæval pageant, in which
peasants and burghers, on foot and on horseback; groups of maidens,
quaintly attired, plying the distaff as they went along; German
matrons, with jewelled head-dresses and cunningly wrought golden
girdles; gayly ornamented chariots, bearing the fruits of the field or
the trophies of the chase, passed us in solemn procession; while on
a sylvan stage erected in the depths of the old oak forest a simple
but moving drama set forth the words and actions of the forefathers
of those very actors—the German colonists who, seven hundred years
previously, had come hither to seek a home in the wild Hungarian
forests.
The costumes and procession had been arranged by native artists, and,
as a work of art, no doubt many parts of the performance were open to
criticism. Some of our fashionable painters would assuredly have turned
sick and faint at sight of the unfortunate combinations of coloring
which frequently marred the effect of otherwise correctly arranged
costumes. Whoever has lived in large towns must have seen such things
better done, over and over again; but what gave this festival a unique
stamp of originality, not to be attained by any amount of mere artistic
arrangement, was the feeling which penetrated the whole scene and
animated each single actor.
[Illustration: MOUNTED PEASANTS, FROM THE HISTORICAL PROCESSION.]
It is difficult to conceive, as it is impossible to describe, the deep
and peculiar impression caused by this display of patriotism on the
part of Germans who have never seen their father-land—Rhinelanders who
are not likely ever to behold the blue rushing waters of the Rhine.
Until now we had always been taught that Germany was inhabited by
Germans, France by Frenchmen, and England by Englishmen; but here we
have such a complex medley of nationalities as wellnigh to upset all
our school-room teaching. Listening to the words of the German drama,
we can easily fancy ourselves at Cologne or Nuremberg, were it not for
the dark faces of Roumanian peasants pushing forward to look at the
unwonted scene, and for the Hungarian uniforms of the gendarmes who are
pushing them back.
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Public-domain text, read in full here on John Shaqi.
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