One morning I saw a Dahoman, arrayed in spotless white raiment, seated
on a mat in an open space opposite the factory, and surrounded by
a small crowd of enraptured lookers-on. My thirst for information
is so insatiable that I never can see a crowd without wanting to
ascertain what is the matter, so I put on my helmet and went out. I
found the individual in white surrounded by small calabashes; one
of which contained water, a second rum, a third kola-nuts, and a
fourth a live fowl; and an old fetish lady sat opposite to him on the
edge of the mat, swaying backwards and forwards, and singing some
excruciating ditty in a low voice. Presently she dipped her fingers
into the calabash full of water, and annointed the crown, forehead,
chin, and neck of the patient with the fluid; then she sang another
verse, and repeated the process with the rum. The man seemed decidedly
refreshed after this, and I thought it was perhaps some native kind of
shampooing. After a short interval the old woman selected a kola-nut,
hurled it violently to the ground, examined all the broken pieces, and
then, picking up one fragment that seemed to satisfy her, proceeded
to chew it. When it was sufficiently masticated, she removed it from
her mouth, and touched up the sufferer with it as before; then she
decapitated the fowl, and, taking the bleeding head, went over the same
ground, for the fourth time, with it. After that she, and as many of
the bystanders as had a chance, fell violently upon the calabash of rum
and drank it, and the meeting broke up. I was confident in my own mind
that the man who had been operated on was sick, and that what I had
seen was a fetish cure; but one of my French friends told me that it
was a ceremony of common occurrence, and that the man was worshipping
his head in order to obtain good fortune. I had noticed that he had
seemed relieved when it was all over, as if he had been glad to be able
to get out of his clean raiment, but his head did not appear to be any
better than it was before.
Public-domain text, read in full here on John Shaqi.
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