This was a particularly auspicious occasion. The other houses had been
closed for several weeks, owing to the advent of warm weather. This
theatre had opened to accommodate a troupe which, in stage parlance, was
trying it on the dog before venturing to launch a new summer attraction
in the metropolis. After due reflection the Courier's dramatic critic
savagely gripped his pencil and proceeded to use it as a bowie in the
interest of the suffering dog.
There had been nothing more for Mead to do and he sat at his desk,
sucking disconsolately at a short pipe. It being a new accomplishment,
he found difficulty in keeping it lighted. He viewed the moths with
malice, their fluttering wings fanning his resentment. He was again
reaching cautiously for them when a voice sounded at his elbow; an odd
voice, unlike other voices.
"Say, kid," it inquired, "where's the head push?"
Mead turned, somewhat confused by the unexpected interruption. "Huh?" he
asked.
"Why, the main squeeze, the first fiddle!" was the impatient rejoinder.
Then, as an afterthought, "the city editor."
Mead indicated. "Over there," he said. "His name's Harkins." He turned
in his chair to watch the stranger, who shuffled over to Harkins' desk.
"Say, Mr. Harkins, I need a job. And that's no lie," was how he put it.
Harkins whirled in his chair. His keen glance swept the visitor from
head to foot. "No, I guess it isn't," was his quiet verdict. "You need a
lot of things, don't you?"
"You've hit it, sir," grinned the guest, "right behind the ear. But a
job will bring 'em and my face won't. It's been overworked lately, that
face, and I'm restin' it. I'd hock it, but it's all I've got, and
besides I guess I've got all it'll bring already."
"Shouldn't wonder," grinned Harkins in reply, surveying with growing
interest the traveller, for such his appearance bespoke him. "Did it
bring you here?"
"No, they didn't see it," laughed the stranger. "I came by freight from
Cleveland. It was a pork train--and I'm on it yet," with a sweeping
gesture that indicated the ensemble of his frayed and dusty habiliments.
"No low bridge for me that trip," he continued. "The brakemen rode on
top, but the bumpers were good enough for me. Ain't so risky."
Harkins quizzically looked him over. He was uniquely worth the trouble.
A battered cap, tipped rakishly over one ear, topped a mat of curly red
hair of the peculiar bricky hue that hisses a sibilant Celtic brogue in
whilom wind-stirrings. Beneath a broad forehead there danced and rioted
two Irish eyes, pale blue pools in an environing forest of freckles.
Nature had been generous with mouths when he transpired and had given
him enough for two. He had further distended it with much smiling. His
cheeks and chin were rough with a sandy stubble; not over-coarse, for
he was young. He was slender and of medium height. His garments, in an
advanced state of senility, exuded cinders at every pore. As for his
shoes, the poor devil was literally on his uppers.
Public-domain text, read in full here on John Shaqi.
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