Harkins had cleared his desk pretty well in the past few minutes and his assistants were busy in consequence. He slapped the masterpiece irreverently on the desk. Like a withering blast his trained eyes swept the first page, which was heavily laden with elaborate introduction. There were a few fierce swoops of a blue pencil. Words fell in the ranks like scattered skirmishers, then platoons of phrases were swept away. The enfiladed page fell face down on the desk. Another, similarly mangled, followed. Only a few gallant remnants of that imposing array remained. It was the survival of the fittest, the obliteration of the superfluous; but it was hard. Mead watched the sacrifice in slow, gathering horror. Harkins looked up. "Busy night!" said he abruptly but not unkindly. "Anyway, this won't do. Cultivate the newspaper style. Get brevity, terseness. Cut out excess baggage. Get the right word and fit it in right. You're voluminous. Make it luminous." Harkins resumed the massacre and Mead, poor innocent, walked disconsolately to his desk to digest the bitter pill that must invariably be administered to the newspaper novice. At Mead's age the simultaneous discovery that there are things to learn and things to unlearn is disconcerting. He sat discouraged, his pinions drooping, and stared gloomily at some gyrating millers about the electric bulb over his desk. Presently he tried to catch them, with a half-acknowledged desire to pluck off their wings in a little game of "pass it on." But they were elusive and evaded him. Several men came in from assignments, and removing their coats, for a hot wave was grilling the late days of June, set to work. Smallwood and Lynn, back from the convention, left thick wads of copy on the city editor's desk and went out for a late lunch. More reporters entered hurriedly and fell to. The dramatic editor entered with deliberation, as became the great, and leisurely set about the roasting of a "first night." Copy boys scurried like scampering ants. The editors bent to their tasks, the reporters' fingers rushed over the pads or jingled the typewriter keys. Everybody hit up the pace but the dramatic critic. He sat, pencil poised like a poniard, deliberating whether he should slay the piece and principals by slow torture, like an Indian, or perform the deed with one murderous lunge. The proprietors of this particular theatre had fallen out with the business office of the Courier. They did not advertise in the Courier now, so when the dramatic critic attended their house he paid for his seat and charged it to expense account. Naturally, what the Courier said about the attractions at that house, during the season in question, was not what it would have said had the brethren been dwelling together in amity.