Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
As to my own small personal expedition, which in comparison with his
appears so easy and unimportant, the general kindly concerned himself
with what we were to drink _en route_, my servant and I, in this time
of infection, when the water is a constant danger on account of human
remains, thrown there by the Chinese, left lying in all the wells; and
he made me a present of untold value,--a case of eau d'Evian.
II
THE TWO GODDESSES OF THE BOXERS
SUNDAY, October 14.
An old Chinese woman, wrinkled as a winter apple, timidly opens the
door at which we have loudly knocked. It stands in the deep shadow of
a narrow passageway exhaling unhealthy fetid smells, between walls
blackened by filth, where one feels as shut in as in the heart of a
prison.
The old woman, an enigmatical figure, looks us all over with a
blank impenetrable gaze; then recognizing among us the chief of the
international police, she silently steps aside and permits us to enter.
We follow her into a dark little court. Poor late autumn flowers are
growing in the old walls, and we breathe faint sickly odors.
We are a group of officers, three French, two English, and one Russian,
who are there clearly by right of conquest.
Our conductor is a strange creature, balancing on the tips of her
incredibly small feet. Her gray hair fastened with long pins is so
tightly drawn back that it seems to raise her eyes unduly. Her dark
dress is indefinite in color, but her parchment-like face bears to a
high degree that something appertaining to a worn-out race, which we
are wont to call distinction. She appears to be only a servant, yet
her aspect, her carriage, are disconcerting; some mystery broods over
her, she seems like a refined matron who has resorted to a shameful
clandestine occupation. This whole place, moreover, is difficult to
describe to those who do not know it.
Beyond the court is a sordid vestibule, then a door painted black,
with a Chinese inscription consisting of two big red letters. Without
knocking, the old woman draws the bolt and opens it.
We may be mistaken, but we have come in all good faith to pay a visit
to _two goddesses_,--prisoners kept shut up in this palace. For here
we are in the common, the lower dependencies, the secret places of the
palace of the viceroy of Petchili, and to reach this spot we have had
to pass over the immense desolation of a town with cyclopean walls
which is at present only a mass of débris and dead bodies.
Public-domain text, read in full here on John Shaqi.
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