Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
In a room which is almost dark and where the evening sun never enters,
two poor girls, two sisters who look alike, are seated with bowed
heads amid lamentable disorder, in positions indicative of supreme
consternation,--one on a chair, the other on the edge of an ebony bed
which they must share at night. They are dressed in humble black, but
here and there on the floor are scattered shining silks and tunics
embroidered in big flowers and gold chimæras,--the garments they put
on when going to meet the armies, in the midst of whistling bullets on
days of battle,--their attire as warriors and goddesses.
For they are a kind of Jeanne d'Arc,--if it is not blasphemy to
pronounce a name of almost ideal purity in this connection,--they are
the goddesses of the incomprehensible Boxers, so atrocious and at the
same time so admirable: hysterical creatures, exciting both the hatred
and terror of the foreigner, who one day fled without fighting in a
panic of fear, and the next with the shrieks of the possessed threw
themselves straight into the face of death, under a shower of bullets
from troops ten times as numerous as themselves.
The goddesses, taken prisoners, are the property, the curious bibelot,
if one may use the word, of the seven Allies. They are not badly
treated. They are merely shut up for fear they will commit suicide,
which has become a fixed idea with them. What will be their fate?
Already their captors are tired of seeing them and don't know what to
do with them.
On a day of defeat the junk in which they sought refuge was surrounded,
and they, with their mother, who followed them everywhere, threw
themselves into the water. The soldiers fished them out fainting. The
goddesses after much care came to their senses. But the mamma never
again opened her oblique old Chinese eyes. The girls were made to
believe that she had been taken to a hospital and would soon come back.
At first the prisoners were brave, animated, haughty, and always well
dressed. But this very morning they have been told that their mother is
no more, and it is that which has stunned them, like a physical blow.
Having no money to buy mourning dress, which in China is always white,
they asked to be allowed white leather shoes--which at this moment
cover their doll-like feet, and which are as essential here as the
crape veil is with us.
They are both slender and of a waxen pallor, scarcely pretty, but
with a certain grace, a certain charm as they stand there, one in
front of the other, without tears, with drooping eyes and with arms
falling straight at their sides. They do not raise their eyes even to
ascertain who enters or what is wanted of them. They do not stir as we
come in, nothing matters to them now. They await death, indifferent to
everything.
Public-domain text, read in full here on John Shaqi.
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