Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
To reach it we have to go outside of all the ashes and ruins, outside
of the Tartar City where we are staying, through the gigantic gates of
the terrible walls, and penetrate to the Chinese City itself.
These two walled cities, which together make up Pekin, are two immense
quadrilaterals placed side by side; one, the Tartar City, contains in a
fortress-like enclosure the Yellow City, where I go to-morrow to take
up my abode.
[Illustration: CHEN-MUN GATE TO PEKIN]
As we come through the separating wall and see the Chinese City framed
by the colossal gateway, we are surprised to find a great artery,
stately and full of life as in the old days, running straight through
Pekin, which up to this time had seemed like a necropolis to us; the
gold decorations, the color, the thousand forms of monsters were all
unexpected, as well as the sudden aggression of noises, of music,
and voices. This life, this agitation, this Chinese splendor, are
inconceivable, inexplicable to us; such an abyss of dissimilarity lies
between this world and ours!
The great artery stretches on before us broad and straight,--a road
three or four kilometres long, leading finally to another monumental
gate which appears in the distance, surmounted by a dungeon with an
absurd roof. This is an opening through a wall beyond which is the
outside solitude. The low houses which line the street on both sides
seem to be made of gold lace, from top to bottom the open woodwork of
their façades glitters; they are finely carved at the top, all shining
with gold, with gargoyles similar to our own, and rows of gilded
dragons. Black stele covered with gold letters rise much higher than
the houses, from which jut out black and gold lacquered platforms for
the support of strange emblems with horns and claws and monsters' faces.
Through the clouds of dust, the gilding, the dragons, and the chimæras
glisten in the dusty sunlight as far as one can see. Above it all
triumphal arches of astonishing lightness mount heavenward across the
avenue; they are airy things of carved wood, with supports like the
masts of a ship, which repeat against the pale blue ether more strange
hostile forms, horns, claws, and fantastic beasts.
Public-domain text, read in full here on John Shaqi.
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