Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
One scene was heart-breaking. An old Chinese woman--very, very old,
perhaps a hundred years old--who could scarcely stand up, was going,
God knows where, driven from her home, where a company of Germans
had established themselves; she went away, dragging herself along
with the help of two young lads who may have been her grandsons and
who supported her as best they could, looking at her with infinite
respect and tenderness. Seeming not to see us and looking as though
she had nothing further to expect from any one, she passed slowly
by, her poor face filled with despair, with supreme and irremediable
distress, whilst the soldiers behind her were throwing away with shouts
of laughter the unpretentious images from the altar of her ancestors.
The beautiful sunshine of the autumn morning shone calmly on her
well-cared-for little garden, blooming with zinnias and asters.
The fort which fell to the lot of the French occupies almost the
space of a town with all its dependencies, lodgings for mandarins
and soldiers, electrical work-shops, stables, and powder magazines.
In spite of the dragons that adorn the gates and in spite of the
clawed monster painted on a stone slab in front of the entrance, it
is constructed upon the most recent principles--plastered, casemated,
and provided with Krupp guns of the latest models. Unfortunately for
the Chinese, who had accumulated in the vicinity of Ning-Hia some
terrifying defences,--mines, torpedoes, fougades, and intrenched
camps,--nothing was finished, nothing completed anywhere; the movement
against foreigners began six months too soon, before they had gotten
into working order all the material Europe had sold to Li-Hung-Chang.
A thousand Zouaves who are to arrive to-morrow are to occupy this fort
during the winter; while awaiting their arrival we have simply brought
along a score of sailors to take possession.
It is curious to go among these houses, abandoned in haste and terror,
and to find ourselves in the midst of the disorder of precipitate
flight; broken furniture and dishes, clothing, guns, bayonets,
ballistic books, boots with paper soles, umbrellas, and ambulance
supplies are piled pell-mell before the doors. In the kitchens dishes
of rice are ready for the oven, with plates of cabbage and cakes made
of fried grasshoppers.
There are shells everywhere, cartridges strew the grounds, gun-cotton
is dangerously dispersed, and black powder is scattered in long trains.
But side by side with this debauch of war materials, droll details
attest the human side of Chinese life; on all the window-sills are pots
of flowers, on all the walls are household gods placed there by the
soldiers. The familiar sparrow abounds here, and is never interfered
with, it seems, by the inhabitants of the place, and from the roofs
the cats, circumspect but anxious to enter into relations with us,
are observing the sort of _ménage_ that will be possible with such
unexpected hosts as ourselves.
Public-domain text, read in full here on John Shaqi.
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