The Last Lady of Mulberry: A Story of Italian New York — John Shaqi
The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Frier of Pepper Pods, Mulberry’s queen of gossips.
CHAPTER III
A SPOT OF YELLOW PAINT
NEXT morning, while the sun gave its first touch to the bronze head
of Garibaldi, Bertino tied on an apron and set to work in Signor Di
Bello’s shop, that peerless grocery whose small window and large door
look tranquilly on the Park of Paradise. For a dozen years it had been
known far and wide among Italia’s children as “The Sign of the Wooden
Bunch.” The nickname came of a piece of carved oak simulating a bunch
of bananas that hung before the door. In the early days of his business
life the padrone had learned that the air of Mulberry was singularly
fatal to the real fruit that he put on show outside. It happened some
days that as many as twenty bananas on one stem would evaporate,
though all the others remained intact. It was always the ones nearest
the ground that vanished. One evening it struck Signor Di Bello that a
violent chemical change in the exposed fruit would put an end to its
mysterious disintegration. So he substituted the bananas of art for
those of Nature. The evaporation ceased straightway, but for two or
three mornings thereafter certain small boys, on their way to the Five
Points Mission School, beheld with bitter disappointment the oaken
symbol, and answered its grin of mockery with looks of blackest disgust.
Those boys are workingmen now, and when they dream of the springtimes
of childhood, they see Giorgio Di Bello, paint brush in hand, giving a
fresh skin of yellow to the make-believe bananas. It was a promise of
vernal roses as sure as the chirp of a bluebird in the churchyard grass
or the gladsome advent of Simone the Sardinian with his hokey-pokey
cart. When the people saw him giving the bunch its annual sprucing up,
they were wont to exclaim: “Bravo! Summer is coming. Soon we shall
have music in Paradise.”
The morning of Bertino’s _début_ at the shop was a bright one of
young June, and the baby maples of the Park were showing their first
dimples of green. It was the blatant hour when Mulberry’s street
bazaar is in full cry; when the sham battle fought every morning
between honeyed sellers and scornful buyers is in hot movement; when
dimes and coppers are the vender’s prize against flounders, cabbages,
saucepans, calicoes, apples, and shoestrings, as the stake that fires
the housewife’s tongue and eye; when stout-lunged hucksters cut the din
with the siren songs their kind have sung for ages in the market place.
Public-domain text, read in full here on John Shaqi.
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