The Last Lady of Mulberry: A Story of Italian New York — John Shaqi
The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Spick and span in the clean blouse of Monday, Signor Di Bello stood
on his broad threshold ready for the day’s trade. He had just shown
Bertino how to convert the prosy doorway into a bower abloom with
garlands of freckled _salame_, cordons of silvery garlic, clusters of
_cacciocavalli_ cheese; how to hang in the entry luring sheaves of wild
herbs, strings of hazelnuts, and the golden colocynths that are--as all
must know--an anodyne for every ill. To flaunt this ravishing group
to the senses of the colony was Bertino’s first duty of the day. That
accomplished, he set out on either side of the doorway the tubs of
tempting stockfish, the black peas of Lombardy, parched tomatoes and
red peppers, lupini beans in fresh water, ripe olives in brine, and
macaroni of sundry types.
Presently the foraging women, their blue-and-red-skirted hips wabbling
under the weight of well-loaded baskets balanced on their heads, began
to enter the shop. Dexterously taking down their burdens and setting
them on the counter, they called out their wants in the varied jargons
of the Peninsula. Not only was Signor Di Bello equal to them, one and
all, but he could give back two raps in the haggling set-to for every
tap that he received. When the morning had worn on, and the lay of the
last vender had died out, he opened a small can of yellow paint, chose
a brush from the stock, placed it in the hand of his nephew, and said:
“_Nipote mio_, do you see the green spots on the boughs? Well, it is
time to give the Bunch a new coat.”
Bertino applied the colour, while his uncle looked on with fond and
critical eye, for it was the first time he had intrusted the historic
task to other hands than his own. Before the finishing touch had
been given he was called into the shop to hack off a four-cent chunk
of Roman cheese. A moment later Bertino stepped back to survey his
handiwork, the brush at heedless poise--Mulberry’s sidewalks are narrow
and teeming--when an angry voice fairly stung his ear:
“_Guarda_, donkey! What are you about?”
He turned and looked into the blazing eyes of a tall young woman, whose
full-flowered beauty startled him more than her words had done, and
for the moment his tongue had no speech.
“Clumsy dog! Why don’t you look?” she began again, drawing out a
gingham handkerchief of purple and putting it to her face. On her
cheek, just where the flush faded in the rich tawn of her skin, was a
spot of yellow--as strangely there as though some fool had tried to
adorn a radiant blossom.
“But excuse me; a thousand pardons. I did not see you,” he blurted. “I
did not see you, _veramente_, signorina--beautiful signorina.”
“Bah!” she flung back. “Where are your eyes, calf of a countryman?”
He watched her as she sailed away above the heads of Mulberry’s little
brown maids and matrons, and for hours afterward felt the spell of her
massing black tresses, her proud step, and the rugged poetry of her
plenteous line.
Public-domain text, read in full here on John Shaqi.
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