End of the world -- Fiction; Epidemics -- Fiction; Science fiction; Twenty-first century -- Fiction
Methought I heard a noise, a step in the far chapel, which was
re-echoed by its vaulted roof, and borne to me through the hollow
passages. Had Clara seen my carriage pass up the town, and did she seek
me here? I must save her at least from the horrible scene the vault
presented. I sprung up the steps, and then saw a female figure, bent
with age, and clad in long mourning robes, advance through the dusky
chapel, supported by a slender cane, yet tottering even with this
support. She heard me, and looked up; the lamp I held illuminated my
figure, and the moon-beams, struggling through the painted glass, fell
upon her face, wrinkled and gaunt, yet with a piercing eye and
commanding brow—I recognized the Countess of Windsor. With a hollow
voice she asked, “Where is the princess?”
I pointed to the torn up pavement: she walked to the spot, and looked
down into the palpable darkness; for the vault was too distant for the
rays of the small lamp I had left there to be discernible.
“Your light,” she said. I gave it her; and she regarded the now
visible, but precipitous steps, as if calculating her capacity to
descend. Instinctively I made a silent offer of my assistance. She
motioned me away with a look of scorn, saying in an harsh voice, as she
pointed downwards, “There at least I may have her undisturbed.”
She walked deliberately down, while I, overcome, miserable beyond
words, or tears, or groans, threw myself on the pavement near—the
stiffening form of Idris was before me, the death-struck countenance
hushed in eternal repose beneath. That was to me the end of all! The
day before, I had figured to my self various adventures, and communion
with my friends in after time—now I had leapt the interval, and reached
the utmost edge and bourne of life. Thus wrapt in gloom, enclosed,
walled up, vaulted over by the omnipotent present, I was startled by
the sound of feet on the steps of the tomb, and I remembered her whom I
had utterly forgotten, my angry visitant; her tall form slowly rose
upwards from the vault, a living statue, instinct with hate, and human,
passionate strife: she seemed to me as having reached the pavement of
the aisle; she stood motionless, seeking with her eyes alone, some
desired object—till, perceiving me close to her, she placed her
wrinkled hand on my arm, exclaiming with tremulous accents, “Lionel
Verney, my son!” This name, applied at such a moment by my angel’s
mother, instilled into me more respect than I had ever before felt for
this disdainful lady. I bowed my head, and kissed her shrivelled hand,
and, remarking that she trembled violently, supported her to the end of
the chancel, where she sat on the steps that led to the regal stall.
She suffered herself to be led, and still holding my hand, she leaned
her head back against the stall, while the moon beams, tinged with
various colours by the painted glass, fell on her glistening eyes;
aware of her weakness, again calling to mind her long cherished
Public-domain text, read in full here on John Shaqi.
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