dignity, she dashed the tears away; yet they fell fast, as she said, for excuse, “She is so beautiful and placid, even in death. No harsh feeling ever clouded her serene brow; how did I treat her? wounding her gentle heart with savage coldness; I had no compassion on her in past years, does she forgive me now? Little, little does it boot to talk of repentance and forgiveness to the dead, had I during her life once consulted her gentle wishes, and curbed my rugged nature to do her pleasure, I should not feel thus.” Idris and her mother were unlike in person. The dark hair, deep-set black eyes, and prominent features of the Ex-Queen were in entire contrast to the golden tresses, the full blue orbs, and the soft lines and contour of her daughter’s countenance. Yet, in latter days, illness had taken from my poor girl the full outline of her face, and reduced it to the inflexible shape of the bone beneath. In the form of her brow, in her oval chin, there was to be found a resemblance to her mother; nay in some moods, their gestures were not unlike; nor, having lived so long together, was this wonderful. There is a magic power in resemblance. When one we love dies, we hope to see them in another state, and half expect that the agency of mind will inform its new garb in imitation of its decayed earthly vesture. But these are ideas of the mind only. We know that the instrument is shivered, the sensible image lies in miserable fragments, dissolved to dusty nothingness; a look, a gesture, or a fashioning of the limbs similar to the dead in a living person, touches a thrilling chord, whose sacred harmony is felt in the heart’s dearest recess. Strangely moved, prostrate before this spectral image, and enslaved by the force of blood manifested in likeness of look and movement, I remained trembling in the presence of the harsh, proud, and till now unloved mother of Idris.