The Last RebelAltsheler, Joseph A. (Joseph Alexander)
History
The Last Rebel
Altsheler, Joseph A. (Joseph Alexander)
Prisoners -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
It was a delight as keen as any I had ever felt to step out after
imprisonment into the brilliant sunshine of the free and open world.
Miss Hetherill threw a light cloak over her shoulders, for there
was a sharp coolness in the air, and together we strolled over the
terrace. I admired the solidity and strength of Fort Defiance, though
a good-sized modern cannon could have knocked it to pieces with ease,
if any one were ever able to get a cannon over the maze of mountains
that separated this valley from the remainder of the world. It was
impregnable to attack by small arms, if well guarded. The drawbridge
was still up, and I spoke of it.
"It is up most of the time," she said, frankly, "but to-day it will be
up more than usual. That is on your account. You are to be kept well
guarded."
"The current of the river is too swift," I said; "but I think I could
swim the moat."
"If you succeeded," she said, "you would probably starve to death in
the mountains."
"Then I shall remain here," I said. "I'm glad that I have so good an
excuse for remaining."
I sought to be gallant, but she only frowned, and I did not attempt it
again. She left me presently, going into the house, while I continued
my stroll in the crisp, invigorating air. I could take but a limited
walk at best, merely the circuit of the hill-top, embracing perhaps a
couple of acres around the house. Within that space I could wander at
will, and no watch seemed to be set upon me.
CHAPTER III.
AN UNLUCKY SKETCH.
The hill projected farther toward the southwest than in any other
direction, and in my wanderings I came to that point. Looking back,
I obtained a sweeping view of Fort Defiance, with its sloping roofs
and sombre-hued walls. At one angle the vines had grown up and clung
against the wall. It was such a place as I would like to tell about
when I returned to my friends, and, what was better, I could show it to
them in its real and exact proportions. I had a pencil and some good
white cardboard in an inside pocket.
I found a good seat on a stone, made ready with board and pencil, and
began to study the fort. It was a fine subject for an artist, and as
I sketched the rough outlines my enthusiasm grew. I had a brilliant
light, which brought out every curve and angle of the queer building.
Gradually, in my absorption as the picture spread over the cardboard, I
forgot everything else. I was just putting in the little brass cannon
that commanded the approach to the fort, when pencil and picture were
snatched violently from my hands. I sprang up, full of wrath.
The old colonel stood before me, his face red, and his eyes flashing
with indignation.
"You villain of a spy! You damned Yankee!" he cried.
"What do you mean? Are you crazy?" I asked. I did not take kindly to
such names, even from the mouth of an old man.
He was in a great rage, for his next words choked him. But he got them
out at last.
Public-domain text, read in full here on John Shaqi.
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