2. True indeed it is that here and there a voice has been lifted up in the way of protest(245) against the proposed inference from the familiar premisses; (for the self-same statements have now been so often reproduced, that the eye grows weary at last of the ever-recurring string of offending vocables:)—but, with _one_ honorable exception,(246) men do not seem to have ever thought of calling the premisses themselves in question: examining the statements one by one: contesting the ground inch by inch: refusing absolutely to submit to any dictation whatever in this behalf: insisting on bringing the whole matter to the test of severe inquiry, and making every detail the subject of strict judicial investigation. This is what I propose to do in the course of the present Chapter. I altogether deny the validity of the inference which has been drawn from “the style,” “the phraseology,” “the diction” of the present section of the Gospel. But I do more. I entirely deny the accuracy of almost _every individual statement_ from which the unfavourable induction is made, and the hostile inference drawn. Even _this_ will not nearly satisfy me. I insist that one only result can attend the exact analysis of this portion of the Gospel into its elements; namely, a profound conviction that S. Mark is most certainly its Author. 3. Let me however distinctly declare beforehand that remarks on “the style” of an Evangelist are singularly apt to be fallacious, especially when (as here) it is proposed to apply them to a very limited portion of the sacred narrative. Altogether to be mistrusted moreover are they, when (as on the present occasion) it is proposed to make them the ground for possibly rejecting such a portion of Scripture as spurious. It becomes a fatal objection to such reasoning that _the style_ may indeed be exceedingly diverse, and yet _the Author_ be confessedly one and the same. How exceedingly dissimilar in style are the Revelation of S. John and the Gospel of S. John! Moreover, practically, the promised remarks on “style,” when the Authorship of some portion of Scripture is to be discussed, are commonly observed to degenerate at once into what is really quite a different thing. Single words, perhaps some short phrase, is appealed to, which (it is said) does not recur in any part of the same book; and thence it is argued that the Author can no longer be the same. “According to this argument, _the recurrence of the same words_ constitutes identity of style; the want of such recurrence implies difference of style;—difference of style in such a sense as compels us to infer diversity of authorship. Each writer is supposed to have at his disposal a limited number of ‘formulæ’ within the range of which he must work. He must in each chapter employ these formulæ, and these only. He must be content with one small portion of his mother-tongue, and not dare to venture across the limits of that portion,—on pain of losing his identity.”(247)