“Wandering from hills to hills by the shore of the sea, to try whether my fortune will give me a ford; but for you, my lady, all things are to be endured,” is the bald literal meaning, which, though it is at least as old as 1555, and is simple enough, is also, unfortunately, bathos. And this is very far from being a solitary example. The result is, that Lockhart’s ballads give an unduly high estimate of the originals to those who only know the English _rifacimento_. A reader who refuses to be enslaved by authority will find that he is constantly compelled to make allowances for the faults which Lockhart was in the fortunate position of being able to correct--for redundancies, for lines of mere prose, for vulgarities, for flat, spiritless endings. He will often feel that he is reading mere repetitions in a popular form, written by painfully uninspired authors, whose too frequent use of stock literary phrases shows that they were far from the simplicity attributed to the ballad-maker. It is true that poetic feeling, and some poetic matter in the shape of traditional stories, is to be found in the _romances_, but, as it were, in solution. Nor is it to be denied that it is to the honour of a people when it clings to a national form of verse, and to its own traditions. Yet neither good poetic intention nor the most respectable patriotism will make inferior execution anything but inferior even in national ballads. It is unquestionably unjust to find fault with a body of professedly unlearned writers because they show the defects of men who have not a severe literary training. But the claim made for the Spanish _romances_ is that they express the natural feelings of a poetic people with simplicity: it is quite fair to answer that the great mass of them belong to a time of high literary cultivation; that they show signs of being the work of its inferior writers; that, even at their best, their loose metrical form--far looser as it is than our own ballad stanza--permitted them to be written by persons who could not have mastered even doggerel rhyme; and that they are too often wanting in the direct, simple, passionate expression by which the rudest genuine poet can force his way to the realm of poetry. [SN: _Spain and Italy._]