European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
But a more interesting proof of the care the Spaniards were giving to
their language is to be found in the _Diálogo de la Lengua_[3]--_Talk
about our Language_, as it may be freely but not inaccurately
translated. [SN: _The_ Diálogo de la Lengua.] This little book appears
to have been written about, and perhaps a little after, 1530, but was
not printed till Mayans included it in his _Origenes de la Lengua
Castillana_ in the last century. There is strong internal evidence to
show that it was the work of one Juan de Váldes, a Spaniard belonging
to the colony settled in Naples, a Castilian by birth, and a member of
the doubtfully orthodox society collected round Vittoria Colonna. Juan
de Váldes himself is included in the short list of Spanish Protestants,
and his heterodoxy accounts for the length of time during which his
work remained in manuscript. He smelt of the fagot, as the French
phrase has it. All who possess even a slight acquaintance with the
literary habits of the sixteenth and seventeenth centuries are aware
that we must not draw from the fact that work remained in manuscript
the deduction that it was little known. The _Diálogo de la Lengua_
was never quite forgotten. It is in itself somewhat disappointing,
being altogether narrower in scope and less ambitious in aim than
Joachim du Bellay’s _Défense et Illustration de la Langue française_,
published in 1549. Much of it is devoted to nice points in the use of
words, while the scholarly, perhaps also the patriotic, leanings of
Váldes led him to assume the untenable position that the few Greek
colonies on the Mediterranean coast of Spain had spread the use of
their language all over the country before it was displaced by the
Latin. But though the _Diálogo_ is not, like the _Défense_, a great
literary manifesto, and though its learning is at times fantastic, it
has some intrinsic interest, and no small value as a piece of evidence.
That exceedingly difficult literary form the dialogue is very fairly
mastered. The four speakers--two Spaniards and two Italians--who take
part in the conversation have a distinct dramatic reality, and the
tone of talk, familiar, occasionally even witty in form, but serious
in substance, is well maintained. The scheme is that three of a party
of four gentlemen who are spending a day at a villa on the Bay of
Naples join in a friendly conspiracy to draw the fourth, whose name,
by the way, is Váldes, into expounding to them, before they take horse
to return to the city, how a cultivated man ought to speak and write
Castilian. The doctrine of Váldes differs significantly from the lesson
enforced by Joachim du Bellay. He does not call upon his countrymen
to go forth to the conquest of the haughty Greeks and Romans. On the
contrary, it is his contention that although the vocabulary requires
refining, and the grammar needs to be better fixed, the language is
already as fit for every purpose of literature as the Italian, or even
as the classic tongues.
Public-domain text, read in full here on John Shaqi.
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