The Latin Hymn-writers and Their HymnsDuffield, Samuel Willoughby
Religion
The Latin Hymn-writers and Their Hymns
Duffield, Samuel Willoughby
Hymns, Latin -- History and criticism
While the copying of books was the general employment of the brotherhood
and of the order, there was from the first a good deal of independent
authorship among them, and always on the lines of the “modern devotion.”
Groote himself labored chiefly by preaching and correspondence. But some
of his letters are tracts in that form, and had a wide circulation as
such. Florens was not much even of a letter-writer, but he wrote one
devotional tract which has been discovered. It was in Gerard Zerbolt of
Zutphen, his _altera manus_, that he found a fit organ for the
expression of his ideas in writing. To us Protestants Zerbolt is
memorable as the author of a treatise asserting the right and duty of
unlearned men to have good books—the Bible and their prayer-books
included—in their own tongue. But he was much better known by his
writing certain widely circulated books of devotion—modern, of course.
Hendrik Mande, the Seer, was a Windesheim monk whose mysticism took the
bolder and more ecstatic flight of Rusbroek, and like Rusbroek he found
his native tongue more suitable than Latin. Lastly, Gerlach Peterszoon,
sometimes called “the second Thomas à Kempis,” although he died in 1411,
before Thomas himself had become an author, wrote in both Latin and
Dutch sundry works, one of which still is reprinted for edification even
by Protestants. Through all this literature runs the same strain of
thought and feeling, in spite of personal differences. They all insist
on a deeper renunciation of the world than is satisfied by any external
monastic compliances. They all hold forth the imitation of Christ’s
humility and meekness as the essence of the Christian life. They all
insist on devotion to the will of God and good-will to men as the two
essential channels in which the Christian life must run.
Public-domain text, read in full here on John Shaqi.
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