At Venice, on January 8th, 1537, they again met their leader and were assigned for duty to the two hospitals of the city. That of the “Incurables” fell to Xavier’s share, and we read that with the morbid devotion characteristic of a devout student of the _Exercises_, he determined now to conquer his natural repugnance to disease. In the course of his duties he had an unusually hideous ulcer to dress for one of the patients. And the authentic history relates that “encouraging himself to the utmost, he stooped down, kissed the pestilent cancer, licked it several times with his tongue, and finally sucked out the virulent matter to the last drop.” (Bartoli and Maffei, p. 35.) There could be nothing worse than that certainly. And a man who had resolutely sounded this deepest abyss of self-abandonment was marked for the highest honor that the new society could bestow. We cannot doubt Xavier’s sincerity, but the gigantic horror of this performance is of a sort to place the man who has achieved it upon an eminence apart from less daring minds. It was Loyola’s way of facing human nature and forcing it to concede the supreme self-devotion of his followers. The world looks with amazement upon such actions, but when it sees them, it yields a kind of stupefied allegiance to those who have thus rushed beyond the bounds. And to a close analysis there is as much concealed spiritual pride about this nastiness as there is an unnecessary shock given to the sense of decency. Thus, as Mozoomdar says, in his _Oriental Christ_, “Instead of abasing self, in many cases it serves the opposite end.” It “imposes a sort of indebtedness upon Heaven” (p. 66). Yet the poor wretch who felt those lips upon his awful wound could not but worship the frightful hero who plunged into such nauseous contact with his loathsomeness. Yes, this was and is the power of it all. It was and it is the key-note of much that is potent with the world. When Victor Hugo pictures Jean Valjean in the toils of the Thenardiers laying that white, hot, hissing bar of iron upon his arm and calmly standing before them while they shrink—ogres as they are—from the stench and the sight, he merely uses this same element. Whatever, in short, among us brings out the old savage nature; whatever plunges outside of the conventionalities, the proprieties, or even the common decencies of life; whatever defies the lightning, or dares the volcano, or tramples upon the coiled serpent, that is the thing which controls the world.