The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c. — John Shaqi
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
38. It is evident that, all other things being equal, the modifications
of contiguous colours will be so much the more marked, as the
complementary colour C or Cʹ, which is added to each of them, differs
more from them; for the complementary Cʹ which is added to the colour
O, is identical with it, as the complementary C is identical with
the colour P to which it is added; and the modifications of O and P
will simply augment the intensity of their colours. But are there yet
any two bodies known which present to the observer two pure colours
perfectly complementary to each other? Certainly not; all those which
are coloured by reflection reflect (7), besides white light, a great
number of rays of various colours. We cannot instance a _red_ body and
a _green_ body, or an _orange_ and a _blue_, or an _orange-yellow_ and
an _indigo_, or a greenish-yellow and a _violet_, which reflect pure
or mixed colours, absolutely complementary to each other. So that the
juxtaposition of these colours produces only a simple _augmentation of
their intensity_. Hence, although it is less easy to verify the law of
contrast with respect to red and green, or orange and blue, &c., than
with respect to those which are the object of the seventeen experiments
just described (15), yet, upon applying it to the former, it will be
seen that their colours acquire a most remarkable brilliancy, strength,
and purity. This result, perfectly conformable to the law, may be
easily understood: for example, an orange-coloured object reflects blue
rays, as a blue object reflects orange rays (7). Hence, when a blue
stripe is put in contact with an orange stripe, although it is admitted
that the first appears to the eye to receive blue from the orange of
the second, as this appears to receive orange from the blue of the
blue stripe; or what is the same thing, that the blue stripe appears
to destroy the effect of the blue rays of the second stripe, as these
appear to destroy the effect of the orange rays of the blue stripe—it
is evident that the two colours so contrasted must purify each other,
and become more intense. But the blue may incline to green or violet,
and the orange to yellow or red; that is to say, the modification may
not only affect the intensity of the colour, but also its physical
composition. However, if this latter effect take place, it is always
much more feeble than the first. Besides, if you look several times
at the same coloured stripes, you will see that the blue which at
first had appeared to you greenish will afterwards appear inclining to
violet; and that the orange, which had appeared at first yellowish,
will incline to red; so that the phenomena of modification, as it
affects the physical composition of colour, will not have the constancy
of those which are the subject of the preceding seventeen observations
(15). I now proceed to state the observations I have made on colours
which are most nearly complementary to each other.
_Red and Green._
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