The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
39. _Red,[1] the complementary of Green, placed by
the side of Green, increases its intensity._
_Green, the complementary of Red, placed by the side
of Red, increases its intensity._
[1] In the original French Edition there is evidently a confusion of
terms in this and the two following articles (39, 40, 41, 42). The Red
is there represented as placed in juxtaposition with _red_, and green
with _green_, and so on with the other instances; orange and blue;
orange-yellow and indigo; greenish-yellow and violet; instead of being
made by contrast with their respective complementaries to intensify
each other.
Such is the theoretical result, the experimental result entirely
agrees with it. When we place a green, inclining more to yellow than
to blue, side by side with, 1st, a slightly orange-red, 2nd, a slightly
crimson-red, and 3rd, an intermediate red, and repeat our observations
several times on each of these assemblages of colour, we shall observe
different results; that is to say, in one case the red will appear more
orange and the green yellower, and in another the red will appear more
violet and the green bluer. We shall find also that the change may be
attributed as much to a difference in the intensity of the light upon
the colours as to fatigue of the eye.
When we place a green, inclining rather to blue than to yellow, side by
side with, 1st, a slightly orange-red, 2nd, a slightly crimson-red, and
3rd, an intermediate red, the results are the same as with the first
green, but with this difference,—that in the assemblage of bluish-green
and of slightly crimson-red, observed several times, the green and
the red appear almost constantly yellower than they are separately. A
result very easily understood.
_Orange and Blue._
40. _Blue, the complementary of Orange, placed by the
side of Orange, increases its intensity._
_Orange, the complementary of Blue, placed by the
side of Blue, increases its intensity._
Upon repeating these observations with a deep blue and an orange which
is not too red, the two colours appear commonly to become redder.
_Orange-Yellow and Indigo._
41. _Orange-yellow, the complementary of Indigo,
placed by the side of Indigo, increases its intensity._
_Indigo, the complementary of Orange-yellow,
placed by the side of Orange-yellow, increases its intensity._
[Illustration: PLATE III.]
_Greenish-Yellow and Violet._
42. _Greenish-yellow, the complementary of Violet,
placed by the side of Violet, increases its intensity._
_Violet, the complementary of Greenish-yellow, placed
by the side of Greenish-yellow, increases its intensity._
The result of observation is almost always in conformity with this law.
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