It has been a slow, unwilling season until to-day, so slow that the
green still shows richest in the sheltered meadows, and the lively
color on the rocky slope that runs up from my tiny river is largely
the color of mosses and Christmas ferns. Here is a stretch of southern
exposure, however, and here are spots where springtime came weeks ago.
Already the dog-tooth violets are out in a sunny saucer between the
rocks; just above them, on an unshaded shelf, is a patch of saxifrage,
and close at hand among the clefts, their “honey pitcher upside down,”
swing the first of my columbines.
Yet Spring does not come thus by spots; she does not crawl out and sun
herself like a lizard. The columbine seeks the sun, but the hepaticas
came up and opened their exquisite eyes in the deepest, dampest shadows
of the woods. I have seen them and the lingering snowdrifts together.
Many of them are never touched with a sunbeam, their warmth and life
coming from within, from a store saved through the winter, rather than
from without. Here under the mat of fallen leaves and winter snow they
have kept enough of the summer to make a spring.
The fires of summer are never out. They are only banked in the winter,
smouldering always under the snow, and quick to brighten and burst
into blaze. There came a warm day in January, and across my thawing
path crawled a woolly bear caterpillar, a vanessa butterfly flitted
through the woods, and the juncos sang. That night a howling snowstorm
swept out of the north. The coals were covered again. So they kindled
and darkened, until to-day they leap from the ashes of winter, a pure,
thin blaze in the shad-bush, to burn higher and hotter across the
summer, to flicker and die away, a line of yellow embers in the weird
witch-hazel of the autumn.
At the sign of the shad-bush the doors of my springtime swing wide
open. My birds are back, my turtles are out, my squirrels and
woodchucks show themselves, my garden is ready to plough and plant.
There is not a stretch of woodland or meadow now that shows a trace of
winter. Over the pasture the bluets are beginning to drift, as if the
haze, on the distant hills, floating down in the night, had been caught
in the dew-wet grass. They wash the field to its borders in their
delicate azure hue.
Along with the bluets (“innocence” we should always call them), under
the open sky, there unroll in the wet shaded bottoms of the maple
swamps the pointed arum leaves of the Jacks, or Indian turnips. How
they fight for room! There are patches where all the pews are pulpits,
with some of the preachers standing three deep.
Now why should there be such a scramble for place among the Jacks,
while just above them in the dry woods the large showy lady’s-slipper
opens in isolated splendor? Here is one, yonder another, with room
between for a thousand. Occasionally you will see a dozen together,
though not in a crowd; but more often the solitary blossom opens alone
and far removed from any of its kind.
Public-domain text, read in full here on John Shaqi.
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