The lady’s-slippers, however, are really social compared with the
arbutus. Here is a flower that is naturally tribal,—bound together by
common root-stalks, trailing shrubby plants that seem free to possess
the earth. They were doubtless here in the soil before the Pilgrim
came. The angels planted them, I am sure, for they smell of a celestial
garden. The paths of heaven are carpeted with them, not paved with
gold. But something is the matter with this earthly soil. They grow
just where they were originally planted and nowhere else. There was a
patch set in the woods three quarters of a mile, as the crow flies,
from my front door. That was several millenniums ago. It is there
still, a patch as big as my hat. There are other scattered bits of it
beyond, but none any nearer to me, yet the soil seems the same, and
there are woods all the way between.
Were it as common as the violet, perhaps some of its sweetness would
be lost upon us. After all, the heavenly streets may be paved with
gold, and instead of a carpet of arbutus, we shall find patches of
it only, hidden away under the fallen leaves of the Elysian groves.
For we shall need to get out of even the celestial city into the open
fields and woods, and I can think of nothing so likely to draw us away
from our mansions and beyond the pearly gates as the chance to go
“May-flowering.”
And, even here below, among the unransomed souls of Boston, when
Mayflower-time arrives, you may see young men and maidens, children
and grandfathers, trooping out to the woods for a handful of the
flowers. And up from the Cape, to those who cannot go into the woods,
the flowers, themselves, come,—tight, naked bunches, stripped of
all but the pink of their faces and the sweet of their souls. They
possess every quarter of the city. Jew and Gentile sell them, Greek and
Barbarian buy them, as they buy and sell no other wild flower.
Why, then, is it not the arbutus, instead of the shad-bush, that spells
for me the spring? I don’t know; unless it is because the shad-bush
takes deeper hold upon my imagination. It certainly is not its form,
or color, or fragrance,—though it has grace,—an airy, misty,
half-substantial shape, a wraith in the leafless woods; it has odor,
too, and color. But it is something more than all of these that the
soft blowing shad-bush means to me. Perhaps the something is in its
name,—because it links my inland round with the round of the sea; and
because it links this present narrowing round with the wide-winging
round of the past.
At the sign of the shad-bush I know the fish are running,—the sturgeon
up the Delaware; the shad into Cohansey Creek; and through Five-Forks
Sluice, these soft, stirring nights, I know the catfish are slipping.
Is there any boy now in Lupton’s Meadows to watch them come? to listen
in the moonlit quiet for the _splash_, _splash_, as the fish pass up
through the main ditch toward the dam?
Public-domain text, read in full here on John Shaqi.
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