The Learned Lady in England, 1650-1760Reynolds, Myra
History
The Learned Lady in England, 1650-1760
Reynolds, Myra
Women -- Education -- Great Britain; Women -- Great Britain; Women authors, English
Lady Mary's mother died when she was eight, and her father, too much
a man of pleasure to trouble himself with the education of girls,
gave his three young daughters into the care of "an old governess,
who, though perfectly good and pious, wanted a capacity for so great
a trust."[282] In commenting on the evil effects of an ignorant
education, Lady Mary said: "My own was the worst in the world, being
exactly the same as Clarissa Harlowe's; her pious Mrs. Norton so
perfectly resembling my governess, who had been nurse to my mother.
I could almost fancy the author was acquainted with her. She took so
much pains from my infancy, to fill my head with superstitious tales
and false notions, it was none of her fault I am not at this day
afraid of witches and hobgoblins, or turned methodist."[283] But at
least there were no hindering home influences, and Lady Mary had what
Charles Lamb would call the luck to be "tumbled early into a closet
of good old English books." Forsaking the dolls of her sisters she
took refuge in her father's fine library and there she read with the
absorption of a youthful Coleridge. She "got by heart all the poetry
that came in her way," and she "read every romance as yet invented."
Lady Louisa says she "possessed and left after her, the whole library
of Mrs. Lenox's Female Quixote--Cleopatra, Cassandra, Clelia, Cyrus,
Pharamond, Ibrahim, etc., etc.--all, like the lady Arabella's
collection, '_Englished_,' mostly, '_by persons of honour_.' The
chief favourite appeared to have been a translation of Monsieur
Honoré d'Urfé's Astrea, once the delight of Henri Quatre and his
court, and still admired and quoted by the _savans_ who flourished
under Louis XIV. In a blank page of this massive volume (which might
have counterbalanced a pig of lead of the same size) Lady Mary had
written in her fairest youthful hand the names and characteristic
qualities of the chief personages thus:--the beautiful Diana, the
volatile Climene, the melancholy Doris, Celedon the faithful, Adamas
the wise, and so on; forming two long columns."[284] Among Lady
Mary's earliest attempts at authorship were romantic stories in
imitation of these her favorite authors.
But along with her romances, and soon superseding them, were sterner
studies. She early began to teach herself Latin. In her account of
herself under the name Lætitia, she said:
Public-domain text, read in full here on John Shaqi.
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