The Leatherworker in Eighteenth-Century Williamsburg: Being an Account of the Nature of Leather, & of the Crafts Commonly Engaged in the Making & Using of It.Ford, Thomas K.
History
The Leatherworker in Eighteenth-Century Williamsburg: Being an Account of the Nature of Leather, & of the Crafts Commonly Engaged in the Making & Using of It.
Ford, Thomas K.
Leatherwork -- Virginia -- Williamsburg
Produced by Stephen Hutcheson and the Online Distributed
Proofreading Team at http://www.pgdp.net
THE
LEATHERWORKER
in Eighteenth-Century
_WILLIAMSBURG_
Being an Account of the Nature of Leather, & of the Crafts commonly
engaged in the Making & Using of it.
_Williamsburg Craft Series_
_WILLIAMSBURG_
Published by _Colonial Williamsburg_
MCMLXXVIII
_The Leatherworker
in Eighteenth-Century_ Williamsburg
[Illustration: Illustrated capital]
Once upon a time there lived in France a poet-bureaucrat by the name of
Charles Perrault, who wrote fairy tales. He called one of them
_Cendrillon ou la Petite Pantoufle de Verre_, and ever since 1697, for
that was the date of Cinderella’s appearance in modern literature, her
glass slippers have been a puzzle.
Not to children, of course. Generations of youngsters have
matter-of-factly accepted as the most natural thing in the world that
magic slippers should be of glass (_verre_). Their elders, however,
being less sophisticated about such things, have learnedly quibbled over
whether the slippers weren’t really supposed to be of _vair_, the costly
white squirrel fur once worn only by royalty.
After all, logic and reason and custom and tradition say that footwear
has been made of leather since time unknown. And who ever heard of
making shoes out of glass?
Well, who ever heard of making bottles out of leather, for that matter?
Or of fire hose made of leather? Or of leather cannons?
Yet leather has been put to these and many other uses over the centuries
of recorded history. A list of them would be almost endless, and so
would a list of the sources of leather. The following compilation,
doubtless far from complete, could have been (it was not) drawn up by an
English eighteenth-century or colonial American leatherworker:
_SOURCES_
cow
ox
calf
horse
sheep
lamb
goat
kid
pig
dog
wolf
deer
elk
antelope
moose
buffalo
bear
wildcat
rabbit
muskrat
beaver
alligator
rattlesnake
_USES_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account