It seems highly probable, in fact, that the solemn songs above, as well as most of the important historical narratives of the Indian tribes, have been repeatedly and variously recorded in eye-catching pictures of men, animals, and natural objects, intended to refresh or jog the memory of the singer or speaker, in his lengthy recitations to the assembled tribe. And such a pictured song-chart, or reference-table we may perhaps consider the carving on the reverse of the Lenape stone (fig. 16), which, should it be, as we have supposed, a production of the Lenni Lenape, would not unnaturally refer to the well-known historical legend of that ancient people. [Illustration: FIG. 16.] This tradition of the Delawares, more interesting and suggestive probably than any of these long-overlooked records of ancient North America, has once at least, been recorded by Indians in pictographic symbols; fortunately it has been preserved to us in full, and we can compare it with the carving on the reverse of the Lenape stone (fig. 16), which we may suppose suggested to the mind of the Indian singer versed in the art of picture-writing some at least of the events remembered in his tradition. Two versions of this wonderful Indian chronicle have been rescued from oblivion. The first, far less complete than the other, was collected from the Indians themselves by the Moravian missionary Heckewelder, about 1800. It reads as follows: "The Lenni Lenape (according to the traditions handed down to them by their ancestors) resided many hundred years ago in a very distant country, in the western part of the American continent. For some reason which I do not find accounted for, they determined on migrating to the eastward, and accordingly set out together in a body. After a very long journey, and many nights' encampments by the way, they at length arrived at the Namaesi Sipu, or River of Fish (from _namaes_, a fish, and _sipu_, a river)."