Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
The large quantity of letters written by Crane may be ascribed in part
to the geographical gulf which separated him from those to whom he
believed he could honestly announce his thoughts, emotions, and
meaningful experiences. As soon as it became possible to enjoy closer
contact with once-distant friends, he stopped writing to them. Thus
scores of letters were sent to Gorham Munson from November 1919 to the
early spring of 1923, at which time Crane joined Mr. and Mrs. Munson in
New York. Thereafter, few letters were received by Mr. Munson, except in
rare instances when either of the two men had left the city, or when
Crane had an urgent need for communication which could not be satisfied
with speech. In the case of friends like Slater Brown and Malcolm
Cowley, where friendship was initiated and continued with social
intercourse hardly ever broken by physical separation, only a handful of
letters exist as a result.
As happens with some of us, many letters were the perfunctory
expressions of a sense of obligation. An explanation of this character
must often be assigned to a series of letters written to one person, or
to a particular letter. It is as mundane sometimes as insistence by the
poet’s mother that he write her several times a week and make sure to
send her a special delivery letter timed to reach her punctually each
Sunday morning. In this class, too, must be placed those letters
occasioned by Crane’s failure to pay a debt, his desire to make amends
for a squabble, and similar causes.
But far more compelling than distance or propriety as the dominant force
behind Crane’s prolific composition of letters was an emotional impulse
which drove him to discharge so much expressive energy in a non-poetic
form: his acquisitive need for sympathy, pity, understanding, affection
... a need accompanied by the belief that these responses could be
evoked with a persuasive explanation in words. Let us not confuse this
poignant situation with dishonesty or a huckster’s fraudulency. Crane
was, after all, a poet to whom language was paramount. The outcome was
that even those of his letters which had been intended as geographical
bridges, or as duties, speedily found themselves converted into detailed
and uninhibited recitations and exhortations. Examining the letters to
his mother in this light, to choose one instance, we can understand why,
despite the profound mutual misunderstanding of which each was aware,
Crane persisted in alternately cajoling, threatening, and informing a
basically-unresponsive correspondent.
Public-domain text, read in full here on John Shaqi.
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