The life and works of Sir Charles BarryBarry, Alfred
General
The life and works of Sir Charles Barry
Barry, Alfred
Architects -- Great Britain -- Biography; Barry, Charles, 1795-1860
In fact, to the position chosen for the new organ, and the arrangements
for the nave congregations depending on that position, he was very
strongly opposed--so much so, that at one time he thought of resigning
his place on the Commission, and, when he refrained from this,
considered it his duty to protest formally against the scheme adopted.
His own view was to place the great organ over the western entrance (as
is done in some foreign cathedrals), and to have only a small choir
organ for use at the eastern end of the church. The great organ in the
south transept he considered to interfere with the simplicity,
spaciousness, and grandeur of the central area of the Cathedral.
It is needless to say that his objections were most courteously
received, and carefully considered, although the Dean and the Committee
did not feel able to yield to them. As usual, he took up and expressed
his views pretty strongly, but he did not at all lose interest in the
proceedings of the Committee, because they were not adopted. In any case
it was much to co-operate in throwing open the Cathedral for the first
time to an use worthy of its dignity and its magnificence of scale, and
(what with him was a great, though, of course, a secondary
consideration) in drawing public notice and admiration to the noblest
work of our great English architect. He was present at almost every
meeting of the Committee, and ventured to offer to Mr. Penrose, the
architect of the Dean and Chapter, practical suggestions which were
kindly and cordially received.
Only four days before his death (on May 8th, 1860) he had written a
paper to the Dean, on the subject of the proposed arrangements;--its
handwriting as firm, and its style as vigorous as ever.[118] It is
interesting to remember that this, which is (so far as is known) his
last professional paper, should have had for its object the preservation
and the adornment of a work, which he regarded as one of the finest in
the world. To him, as to others, it seemed inexplicable and disgraceful,
that, while elaborate restoration is going on of every cathedral and
abbey, almost of every remarkable parish church, the cathedral of the
metropolis should be neglected, and the appeals for its decoration left
almost unanswered. He had no sympathy with the intolerant Gothicism,
which would pass over all that is classical, nor could he understand
that the absence of the strong local feeling, which has rebuilt
Chichester Cathedral, in great measure, by the contributions of Sussex
alone, could be a sufficient reason for the neglect of the grandest
building in London. He naturally thought of the magnificence of St.
Peter’s, and he longed to replace the dreary coldness of St. Paul’s by a
splendour which _mutatis mutandis_ should rival its Italian anti-type.
Sooner or later it must be that these longings will be realised.
Public-domain text, read in full here on John Shaqi.
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