Authors, Latin -- Biography; Cicero, Marcus Tullius; Statesmen -- Rome -- Biography
Thus, though the government was oligarchical, and the very essence of
freedom ignored, there was a something which stood in the name of
liberty, and could endear itself to a real patriot. With genuine
patriotism Cicero loved his country, and beginning his public life as he
did at the close of Sylla's tyranny, he was able to entertain a dream
that the old state of things might be restored and the republican form
of government maintained. There should still be two Consuls in Rome,
whose annual election would guard the State against regal dominion. And
there should, at the same time, be such a continuance of power in the
hands of the better class--the "optimates," as he called them--as would
preserve the city from democracy and revolution. No man ever trusted
more entirely to popular opinion than Cicero, or was more anxious for
aristocratic authority. But neither in one direction nor the other did
he look for personal aggrandizement, beyond that which might come to him
in accordance with the law and in subjection to the old form of
government.
It is because he was in truth patriotic, because his dreams of a
Republic were noble dreams, because he was intent on doing good in
public affairs, because he was anxious for the honor of Rome and of
Romans, not because he was or was not a "real power in the State" that
his memory is still worth recording. Added to this was the intellect and
the wit and erudition of the man, which were at any rate supreme. And
then, though we can now see that his efforts were doomed to failure by
the nature of the circumstances surrounding him, he was so nearly
successful, so often on the verge of success, that we are exalted by the
romance of his story into the region of personal sympathy. As we are
moved by the aspirations and sufferings of a hero in a tragedy, so are
we stirred by the efforts, the fortune, and at last the fall of this
man. There is a picturesqueness about the life of Cicero which is
wanting in the stories of Marius or Sylla, of Pompey, or even of
Cæsar--a picturesqueness which is produced in great part by these very
doubtings which have been counted against him as insincerity.
Public-domain text, read in full here on John Shaqi.
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