The chief objects of "St. George" come under three heads, as we have just noticed: agricultural, industrial, and educational. The actual schools would not be needed until the farms and mills had been so far established as to secure a permanent attendance. But meanwhile provision was being made for them, both in literature and in art. The "Bibliotheca Pastorum," was to be a comprehensive little library--far less than the 100 books of the _Pall Mall Gazette_--and yet bringing before the St. George's workman standard and serious writing of all times. It was to include, in separate volumes, the Books of Moses and the Psalms of David and the Revelation of St. John. Of Greek, the Economist of Xenophon, and Hesiod, which Ruskin undertook to translate into prose. Of Latin the first two Georgics and sixth Æneid of Virgil, in Gawain Douglas' translation. Dante; Chaucer, excluding the "Canterbury Tales"--but including the "Romance of the Rose"; Gotthelf's "Ulric the Farmer," from the French version which Ruskin had loved ever since his father used to read it him on their first tours in Switzerland; and an early English history by an Oxford friend. Later were published Sir Philip Sidney's psalter, and Ruskin's own biography of Sir Herbert Edwardes, under the title of "A Knight's Faith." These books were for the home library; reference works were bought to be deposited in central libraries, along with objects of art and science. It was not intended to keep the Guild property centralised; but rather to spread it, as its other work was spread, broad-cast. A number of books and other objects were bought with the Guild money, and lent or given to various schools and colleges and institutions where work akin to the objects of the Guild was being done. But for the time Ruskin fixed upon Sheffield as the place of his first Guild Museum--being the home of the typical English industry--central to all parts of England, near beautiful hill-country, and yet not far from a number of manufacturing towns in which, if St. George's work went on, supporters and recruits might be found. The people of Sheffield were already, in 1875, building a museum of their own, and naturally thought that the two might be conveniently worked together. But that was not at all what Ruskin wished. Not only was his museum to be primarily the storehouse of the Guild, rather than one among many means of popular education; but the objects which he intended to place there were not such as the public expected to see. He had no interest in a vast accumulation of articles of all kinds. He wanted to provide for his friends' common treasury a few definitely valuable and interesting examples--interesting to the sort of people that he hoped would join the Guild or be bred up in it; and valuable according to his own standard and experience.