The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
Since then he comes to me every day, or I go to him. For this I
neglect social meetings, galleries, the theatre, and even the tower
of St. Stephen’s. Beethoven says “Ah! What do you want to see
there? I will call for you towards evening; we will walk through
the alleys of Schönbrunn.” Yesterday I went with him to a glorious
garden in full bloom, all the hot-beds open--the perfume was
bewildering; Beethoven stopped in the oppressive sunshine and said:
“Not only because of their contents, but also because of their
rhythm, Goethe’s poems have great power over me, I am tuned up and
stimulated to composition by this language which builds itself into
higher orders as if through the work of spirits and already bears
in itself the mystery of the harmonies.
“Then from the focus of enthusiasm I must discharge melody in all
directions; I pursue it, capture it again passionately; I see it
flying away and disappearing in the mass of varied agitations;
now I seize upon it again with renewed passion; I cannot tear
myself from it; I am impelled with hurried modulations to multiply
it, and, at length I conquer it:--behold, a symphony! Music,
verily, is the mediator between intellectual and sensuous life. I
should like to talk with Goethe about this--would he understand
me?”.... “Speak to Goethe about me,” he said; “tell him to hear my
symphonies and he will say that I am right in saying that music is
the one incorporeal entrance into the higher world of knowledge
which comprehends mankind but which mankind cannot comprehend....
We do not know what knowledge brings us. The encased seed needs
the moist, electrically warm soil to sprout, to think, to express
itself. Music is the electrical soil in which the mind thinks,
lives, feels. Philosophy is a precipitate of the mind’s electrical
essence; its needs which seek a basis in a primeval principle are
elevated by it, and although the mind is not supreme over what it
generates through it, it is yet happy in the process. Thus every
real creation of art is independent, more powerful than the artist
himself and returns to the divine through its manifestation. It is
one with man only in this, that it bears testimony of the mediation
of the divine in him.... Everything electrical stimulates the mind
to musical, fluent, out-streaming generation.
Public-domain text, read in full here on John Shaqi.
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