The Life of Man: A Play in Five ActsAndreyev, Leonid
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The Life of Man: A Play in Five Acts
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russia -- Drama; Russian drama -- Translations into English
_To these strains a number of young men and girls are dancing a legato
measure in a graceful, refined manner. To the first phrase of the tune
they advance and meet; to the second phrase they retire; to the third
and fourth they advance and retire as before--all with a rather stately,
old-fashioned demeanour._
[_Along the walls are seated a number of chaperons and other guests, in
a variety of studiedly affected attitudes. Their movements are stiff
and angular, and their remarks stilted and spasmodic. Never is the
correctness of their tone lowered by, for instance, light laughter or
whispering. Gazing straight in front of them, with their hands primly
folded on their laps and their wrists stuck out so sharply as to convey
the impression that those members have been fractured, these onlookers
mouth their sentences in the sententious fashion of copybooks, and
express, in their whole bearing, a sort of disdainful weariness. Indeed,
so absolutely monotonous and uniform in expression are their fades
that the latter would seem to have been turned out of one and the same
mould--a mould which has stamped them with a stereotyped air of conceit
and arrogance, coupled with a certain dull respect for the Man's wealth.
The dancers are dressed in white, the musicians in black, and the
remaining guests in white, black, or yellow. In the right-hand front
corner of the stage (a corner in deeper shadow than the rest of the
scene') stands the motionless figure of the Being in Grey. The candle in
his hand is now burnt away for two-thirds of its length, yet its flame
is still strong and yellow, and continues to throw lurid gleams over the
statuesque face and chin of the Being._]
~Dialogue of the Guests.~~
I feel it my bounden duty to remark that to be numbered among the guests
at any ball given by the Man is indeed an honour!
Yes; and to that you might have added that only a very limited circle of
persons are permitted to attain to that honour. My husband, my sons, my
daughters, and myself are profoundly sensible of the privilege which has
been accorded us.
I am truly sorry for those who have not had the good fortune to receive
an invitation to the ball. Never this night, I fear, will they be able
to close their eyes in sleep, by reason of the pangs of envy. Yet on the
morrow they will not hesitate to speak in disparaging terms of the fêtes
which the Man periodically gives.
Ah, but never have they looked upon such brilliancy as we see here
to-night!
No, never! Nor, you might have added, upon such luxury and wealth!
Nor upon such enchanting, such soul-emancipating gaiety! If this be
not gaiety, then I know not what gaiety is. But let that pass. 'Tis ill
quarrelling with persons who writhe in the pangs of envy. Yet I will
venture to foretell that those same persons will presumptuously assert
that these were not gilded chairs upon which we are now sitting--not
gilded chairs!
Public-domain text, read in full here on John Shaqi.
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