The Life of Man: A Play in Five ActsAndreyev, Leonid
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The Life of Man: A Play in Five Acts
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russia -- Drama; Russian drama -- Translations into English
No; mere deteriorated articles, purchased, for a trifling sum, from some
secondhand dealer!
They will say, too, that those beautiful electric globes were tallow
candles of the commonest quality!
Yes--mere farthing dips!
Or trashy oil lamps! Oh, tongues of envy!
Peradventure they will have the effrontery to deny that the mansion has
gilded cornices?
Or that to the pictures on the walls there are the massive gilded frames
which we see before us? For my part, I seem to hear the veritable chink
of gold in this palace.
Well, at all events we behold its glitter: and that, in my opinion, is
as good.
Seldom has it fallen to my lot to enjoy such ravishing strains as those
which always greet our ears at balls given by the Man. They constitute
the veritable music of the spheres, and waft the soul from earth to
higher regions.
Yes, in truth do they! Yet we have some reason to expect that the music
should be of the finest quality, seeing that the Man is in a position to
pay the immense fees demanded by the musicians. You must recollect that
this is the most distinguished orchestra of the day, and plays at all
the most _recherché_ functions.
Ah, one could listen to such strains for ever! They simply _enchant_
one's sense of hearing! I may inform you that, for days and nights after
one of these balls given by the Man, my sons and daughters never cease
to hum the tunes which they have heard there.
At times I seem to hear such divine music when I am walking in the
streets. I gaze around me, but neither instrument nor player is to be
seen.
And _I_ hear it in my dreams.
What appears to me so especially excellent about these musicians is that
they play with such _abandon_. Though aware of the immense fees which
they are entitled to demand for their services, they are yet good enough
to refrain from giving nothing in return. That seems to me particularly
right and proper.
Yes. 'Tis as though the musicians completely-identified themselves
with their instruments, so great is the verve with which they surrender
themselves to their playing.
Or, rather, as though their instruments identified themselves with them.
How rich it all is!
Flow sumptuous!
How brilliant!
How luxurious!
[_And so on, for a considerable time, like a pack of dogs barking one
against the other._]
I would have you to know that, in addition to this _salon_, the mansion
contains no fewer than fifteen magnificent apartments. I have seen them
all. The dining-room is fitted with a fireplace which can accommodate
whole trunks of trees. The drawing-room, too, and boudoir are simply
_gorgeous_, while the state bedroom is not only an apartment of the most
gigantic dimensions, but is actually furnished with bedsteads to which
baldaquins are attached!
Indeed? You surprise me! Baldaquins?
Public-domain text, read in full here on John Shaqi.
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