My hare-brained excursion gives me a success. On the ilexes I surprise
a Weevil, with her proboscis half-sunk in an acorn. To observe her with
due care is impossible while the branches are being lashed and shaken
by the mistral. I break off the twig and lay it gently on the ground.
The insect takes no notice of its removal and goes on with its job. I
squat down beside it, sheltered from the gale behind a clump of
brushwood, and watch operations.
Shod with clinging sandals which will enable her later, in my cages, to
scale a perpendicular pane of glass, the Weevil is firmly fixed on the
smooth and sloping curve of the acorn. She is working her drill. Slowly
and awkwardly she moves around her implanted rod, describes a
semicircle whose centre is the perforated point and then, retracing her
steps, describes the semicircle in the reverse direction. And this is
repeated several times over. We do the same when, by an alternating
movement of the wrist, we make a hole in a piece of wood with a
bradawl.
Little by little the rostrum enters. In an hour’s time it has
disappeared entirely. A brief rest follows. Then at last the instrument
is withdrawn. What will happen next? Nothing more, this time. The
Weevil abandons her shaft and solemnly retires, hiding among the dead
leaves. I shall learn no more to-day.
But I have been given a hint. On still days, more favourable to my
hunting, I return to the spot and soon have the wherewithal to stock my
cages. Foreseeing serious difficulties because of the slowness of the
work, I prefer to continue my studies indoors, with the unlimited
leisure to be found at home.
This was an excellent precaution. If I had tried to go on as I had
begun and to observe the Weevil’s actions in the freedom of the woods,
never should I have had the patience to follow to the end the choice of
the acorn, the boring of the hole and the laying of the eggs—even
presuming that my discoveries were propitious—so meticulously
deliberate is the insect in its business, as the reader will presently
be able to judge.
The copses frequented by my Weevil are composed of three kinds of oaks:
the ilex and the durmast, which would become fine trees if the
woodcutter gave them time, and lastly the kermes-oak, a wretched,
scrubby bush. The first, the most plentiful of the three, is the
Weevil’s favourite. Its acorns are firm, long in shape and moderate in
size; the cup is covered with little warts. Those of the durmast oak
are generally stunted, short, wrinkled and subject to premature falls.
The dryness of the Sérignan hills does not suit them. The Weevil
therefore accepts them only in the absence of something better.
The humility of the kermes, a dwarf shrub, a truly comic oak, which a
man can step over at a stride, is contrasted by the wealth of its
acorns, which are large, swelling ovoids, set in a cup bristling with
sharp scales. The Weevil could not have a better home. It forms a
strong dwelling and a copious storehouse.
Public-domain text, read in full here on John Shaqi.
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