I place a few sprigs from these three oaks, well-furnished with acorns,
under the dome of my wire-gauze covers, with their ends dipped in a
tumbler of water to keep them fresh; I install a suitable number of
couples; lastly, I stand the cages on the window-sills of my study,
where they get the direct sunlight for the greater part of the day. Let
us now possess our souls in patience and keep a constant watch. We
shall be rewarded. The exploitation of the acorn is worth seeing.
Things do not drag on so very long. Two days after these preparations,
I arrive at the exact moment when the work begins. The mother, larger
than the male and supplied with a longer drill, is inspecting her
acorn, no doubt in view of the eggs.
She goes over it step by step, from tip to stem, above and below.
Walking is easy on the wrinkled cup; it would be impracticable on the
rest of the surface if the soles of her feet were not shod with
clinging pattens, with brushes which enable her to keep her balance in
any position. Without tripping or stumbling, therefore, the insect
walks with equal ease, over the top or bottom or up the sides of her
slippery pedestal.
The choice is made; the acorn is recognized as being of good quality.
The time has come to sink the hole. The rod is difficult to wield,
because of its excessive length. To obtain the best mechanical effect,
the instrument must be held at right angles to the convex surface; and
the cumbrous tool which, out of working-hours, projects in front of the
worker must now be brought under her.
To achieve this object, the Weevil raises herself on her hind-legs and
stands on the tripod formed by the tip of the wing-cases and of the
hinder tarsi. Nothing could be droller than this strange well-sinker,
standing erect and drawing her nasal rapier towards her.
The trick is done: the drill is now held plumb. The boring begins. The
method is that which I saw employed in the woods, on the day when the
wind was so strong. Very slowly, the insect veers from right to left
and from left to right alternately. Her tool is not a gimlet, a spiral,
corkscrew-like implement which enters as the result of a rotary
movement always in one direction; it is a trocar which progresses by
successive bites, by eating away now in one direction, now in another.
Public-domain text, read in full here on John Shaqi.
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