The Life of Tolstoy: First Fifty Years: Fifth EditionMaude, Aylmer
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The Life of Tolstoy: First Fifty Years: Fifth Edition
Maude, Aylmer
Tolstoy, Leo, graf, 1828-1910
They sit where they like: on the benches, tables, window-sills,
floor, or in the arm-chair. The girls always sit together. Friends
from the same village, especially the little ones (among whom
there is most comradeship) always sit together. As soon as one of
them decides that he will sit in a certain corner, all his chums,
pushing and diving under the forms, get there too, and sit together
looking about them with faces that express as much happiness and
satisfaction as though, having settled in that place, they would
certainly be happy for the rest of their lives. The large arm-chair
(which somehow found its way into the room) is an object coveted
by the more independent personalities.... As soon as one of them
decides to sit in it, another discerns his intention from his
looks, and they collide and squeeze in. One dislodges the other,
and curling up, sprawls with his head far below the back, but reads
like the rest, quite absorbed in his work. During lessons I have
never seen them whispering, pinching, giggling, laughing behind
their hands, or complaining of one another to the teacher.
The two lower classes sort themselves in one room, the upper
class in another. The teacher appears, and in the first class all
surround him at the blackboard, or lie on the forms, or sit on
the table, near him or near one of the boys who reads. If it is a
writing lesson, they place themselves in a more orderly way, but
keep getting up to look at one another's exercise books, and to
show their own to the teacher. According to the time-table there
should be four lessons before dinner; but sometimes in practice
these become three or two, and may be on quite other subjects.
The teacher may begin with arithmetic and pass on to geometry; or
may begin with Sacred History and end up with grammar. Sometimes
teacher and pupils are so carried away, that a lesson lasts three
hours instead of one. Sometimes the pupils themselves cry: 'Go on,
go on!' and shout contemptuously to any who are tired: 'If you're
tired, go to the little ones!'
In my opinion this external disorder is useful and necessary,
however strange and inconvenient it may seem to the teacher. Of
its advantages I shall have frequent occasion to speak; but of its
apparent disadvantages I will say:
First, this disorder, or free order, only frightens us because we
ourselves were educated in, and are accustomed to, something quite
different. Secondly, in this as in many similar cases, coercion is
used only from hastiness or from lack of respect for human nature.
We think the disorder is growing greater and greater, and that
it has no limit. We think there is no way of stopping it except
by force; but one need only wait a little, and the disorder (or
animation) calms down of itself, and calms down into a far better
and more durable order than any we could devise.
In another place he says:
Public-domain text, read in full here on John Shaqi.
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