Some years after my father's death, I was sitting by the dim firelight
in my library one January evening--sitting in the leather chair that
used to be my father's--when Bertha appeared at the door, with a
candle in her hand, and advanced towards me. I knew the ball-dress she
had on--the white ball-dress, with the green jewels, shone upon by
the light of the wax candle which lit up the medallion of the dying
Cleopatra on the mantelpiece. Why did she come to me before going
out? I had not seen her in the library, which was my habitual place,
for months. Why did she stand before me with the candle in her hand,
with her cruel contemptuous eyes fixed on me, and the glittering
serpent, like a familiar demon, on her breast? For a moment I thought
this fulfilment of my vision at Vienna marked some dreadful crisis
in my fate, but I saw nothing in Bertha's mind, as she stood before
me, except scorn for the look of overwhelming misery with which I
sat before her . . . "Fool, idiot, why don't you kill yourself,
then?"--that was her thought. But at length her thoughts reverted to
her errand, and she spoke aloud. The apparently indifferent nature of
the errand seemed to make a ridiculous anticlimax to my prevision and
my agitation.
"I have had to hire a new maid. Fletcher is going to be married, and
she wants me to ask you to let her husband have the public-house and
farm at Molton. I wish him to have it. You must give the promise now,
because Fletcher is going to-morrow morning--and quickly, because I'm
in a hurry."
"Very well; you may promise her," I said, indifferently, and Bertha
swept out of the library again.
Public-domain text, read in full here on John Shaqi.
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