Actresses -- Fiction; Dramatists -- Fiction; Love stories; New York (N.Y.) -- Fiction
Produced by David Yingling, Matt Whittaker, Bethanne M.
Simms, David Garcia and the Online Distributed Proofreading
Team at https://www.pgdp.net
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* Transcriber's Note: Typo "gantlet" was replaced with "gauntlet" but *
* all other spelling was retained as it appeared in the original text.*
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[Illustration: "HE WAS A NOTICEABLY HANDSOME FIGURE AS HE SAT ALONE IN
THE BOX"
[_See p. 31_]
THE
LIGHT OF THE STAR
A Novel
BY
HAMLIN GARLAND
AUTHOR OF "HESPER"
"THE CAPTAIN OF THE GRAY-HORSE TROOP"
ETC. ETC.
NEW YORK AND LONDON
HARPER & BROTHERS
PUBLISHERS:: MCMIV
THE LIGHT OF THE STAR
Published May, 1904.
THE LIGHT OF THE STAR
I
After the appointment with Miss Merival reached him (through the hand of
her manager), young Douglass grew feverishly impatient of the long days
which lay between. Waiting became a species of heroism. Each morning he
reread his manuscript and each evening found him at the theatre, partly
to while away the time, but mainly in order that he might catch some
clew to the real woman behind the shining mask. His brain was filled
with the light of the star--her radiance dazzled him.
By day he walked the streets, seeing her name on every bill-board,
catching the glow of her subtle and changeful beauty in every window.
She gazed out at him from brows weary with splendid barbaric jewels, her
eyes bitter and disdainful, and hopelessly sad. She smiled at him in
framework of blue and ermine and pearls--the bedecked, heartless
coquette of the pleasure-seeking world. She stood in the shadow of gray
walls, a grating over her head, with deep, soulful, girlish eyes lifted
in piteous appeal; and in each of these characters an unfathomed depth
remained to vex and to allure him.
Magnified by these reflections on the walls, haloed by the teeming
praise and censure of the press, she seemed to dominate the entire city
as she had come to absorb the best of his own life. What her private
character really was no one seemed to know, in spite of the special
articles and interviews with her managers which fed the almost universal
adulation of her dark and changeful face, her savage and sovereign
beauty. There was insolence in her tread, and mad allurement in the
rounded beauty of her powerful white arm--and at his weakest the young
playwright admitted that all else concerning her was of no account.
At the same time he insisted that he was not involved with the
woman--only with the actress. "I am not a lover--I am a playwright,
eager to have my heroine adequately portrayed," he contended with
himself in the solitude of his room, high in one of the great apartment
buildings of the middle city. Nevertheless, the tremor in his nerves
caused him thought.
Public-domain text, read in full here on John Shaqi.
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