“I want an apple--I can't see what harm an apple would do me,” he cried again. But his daughter was firm. It was very pathetic to witness the scene. The Lion of Persia becoming plaintive at being denied a rosy-cheeked apple. The man who, with a force of only six hundred sabres behind him, had ridden up to Mir Ali Singh with the three thousand rebels supporting him, and demanded his sword, and got it, not being able to get his apple when he had asked for it nicely, seemed to me to be a most pathetic figure. I pleaded for him as one pleads for a child in the nursery: he had been a good boy and had eaten all that had been set before him quite nicely--why might he not have an apple to make him happy? But the daughter was inexorable. She told me that I did not know her father, while she did. An apple would be poison to him; and so the old hero was left complaining, with an occasional falsetto note, upon the restrictions of his commissariat. I am pretty sure that there was no falsetto note in any of his complaints in regard to commissariat forty years ago. He was a noble old warrior, however, for when his daughter had, with the rest of the ladies, left us after dinner, he never put out a hand to the apple dish, though there was no man at the table who would have interfered with him had he done so; the Newtown Pippins remained blushing, but not on account of any disloyalty on his part to the duty he owed to the daughter who had his welfare at heart. II.--THE DEAR OLD LADY The aged lady who lives in a lovely old moated house a few miles out of Thurswell is one of the youngest people I ever met. She is the mother of two distinguished sons and the grandmother of a peeress. She takes an interest in everything that is going on in various parts of the world, and even points out the mistakes made by the leader-writers in the London papers--some of the mistakes. But she does so quite cheerfully and without any animus. She still sketches _en plein air_, and in her drawings there is no suggestion of the drawing-master of the early Victorians. Any elderly person who could hold a pencil and whose moral character could bear a strict investigation was accounted competent to teach drawing in those days; for drawing in those days meant nothing beyond making a fair copy of a lithograph of a cottage in a wood with a ladder leaning against a gable and a child sitting on a fence--a possible successful statesman in the future--with a dog below him. She never was so taught, she told me: she had always held out against the restrictions of the schoolroom of her young days, and had never played either the “Maiden's Prayer” or the “Battle of Prague.” Thalberg's variations on “Home Sweet Home” she had been compelled to learn. No young lady in that era of young ladies could avoid acquiring at least the skeleton of Thalberg's masterpiece: and I was glad that this particular old lady, who had once been a young lady, had mastered it;