The Lighter Side of English LifeMoore, Frank Frankfort
General
The Lighter Side of English Life
Moore, Frank Frankfort
England -- Social life and customs; England -- Social life and customs -- Humor
He had been heard to express the opinion that it was little short of
scandalous that people should enter the Cathedral and find themselves
surrounded by beauties of architecture and facing combinations of colour
in glass that were extremely lovely--that they should be able to hear
music of the most elevating type efficiently rendered by an organist
of ability and a well-trained choir, but the moment a member of the
Chapter--one of the dignitaries of the Church--began to discharge his
duties, either in his stall, at the electern, or in the pulpit, the
congregation were subjected to an infliction of mediocrity sometimes
verging on imbecility. It was little short of scandalous, he said, that
the most highly paid functionaries--men whose education had cost a great
deal of money--should show themselves so imperfectly equipped to
discharge their simplest duties in an intelligent manner. Few of them
could even intone correctly, and he had a suspicion that intoning was
invented to conceal their deficiency in reading the prayers. When they
stood at the lectern and read in that artificial voice that they assumed
for the Lessons for the day, treating the most splendidly dramatic
episodes with a tameness that suggested rather more than indifference,
they proved their inefficiency as plainly as when they stood at the
altar-rails and repeated the Commandments in that apologetic tone they
put on, as if they hoped the people present would understand quite
clearly that they, the readers, were not responsible for the bad taste
of the compiler of the Decalogue in referring to offences of which no
well-bred lady or gentleman would be guilty.
And then he went on to refer to the preaching....
Now Canon Mowbray did not give expression to his views all at once. He
was forced to do so by the action of the Dean and Chapter after he had
startled them all, and the congregation as well, by his dramatic reading
of the First Lesson, which was of the discomfiture of the Priests
of Baal by the prophet Elijah--a subject treated very finely by
Mendelssohn.
The truth was that Canon Mowbray had paid a visit to London every week
in order to get a lesson in elocution from a well-known ex-actor, and at
the end of six months had mastered, at any rate, the fundamentals of the
art. His performance, regarded by itself, would have been thought quite
creditable; but, judged by comparison with the usual reading of the
Lessons in the Minster, it was startling--thrilling. Long before he had
got to the ironic outburst of the prophet, “Cry aloud, for he is a god,”
he had got such a hold upon his hearers that when he made a little pause
the silence was striking. At the close also, when he had shut the
Book and stood for a few moments before saying, “Here endeth the First
Lesson,” the silence was the ecclesiastical equivalent to the plaudits
of the playhouse at the effective close of an act: he might have said,
“Here endeth the First Act.”
Public-domain text, read in full here on John Shaqi.
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