The Lighter Side of English LifeMoore, Frank Frankfort
General
The Lighter Side of English Life
Moore, Frank Frankfort
England -- Social life and customs; England -- Social life and customs -- Humor
The effect was startling at first. It seemed as if the clergyman had
seen Irving in _The Lyons Mail'_ and thought he could not improve
greatly upon the method of the actor in the dual rôle--speaking in the
mild accents of the amiable Lesurges on the one hand and in the gruff
staccato of Dubose on the other. At first this touch of realism was
startling, but as it went on it became queer, then funny, and at last it
had the element that made its emphatic appeal to most hearers, that of
burlesque. Some of the congregation were shocked: they had no idea that
“God spake these words and said” in the tone of a testy old gentleman.
Others were frankly amused and showed it without reticence; and the
entertainment closed with the giggling of choir-boys.
The Second Lesson was read by Canon Mowbray in a very subdued way.
Contrary to the expectation of a good many people, he made no attempt
to match himself in realistic effects against the Prebendary; and when
during the week remarks were made in his hearing respecting that member
of the Chapter and his elocution, he only shook his head sadly. The
other members of the Chapter could do no more. When an elderly clergyman
has made a fool of himself within the precincts of his church people can
only shake their heads.
But the next Sunday the congregation who crowded the Minster at the
afternoon service shook not only their heads but their bodies also in
their decorous but wholly ineffectual attempts to smother their
laughter while the Prebendary read a chapter in the Book of Ruth which
necessitated, he thought, full orchestral treatment. He clearly saw
the parts for a basso, a tenor, a soprano, and a contralto, and he set
himself about doing all four by subtle modulations of his voice. Now,
people do not as a rule mind a middle-aged parson's putting on a gruff
voice when reading what a man said, or going up an octave or so when
assuming the dialogue of a milder-mannered man; but when he puts on
a falsetto, and a very high falsetto, when he essays to reproduce the
words of a woman, and occasionally breaks in an attempt to lay the
emphasis on the right words, the most decorous of folk will either laugh
or weep--and the great majority of the worshippers in the old Minster
this day did the former. Quite a number hurried from the Sacred
Fane with their handkerchiefs held close to their mouths. But once
outside----
That was how the scandal which threatened to make Broadminster Chapter
a house divided against itself was dispersed. It was obvious that the
Minster was too antique a place to be made the scene of so great an
innovation as Canon Mowbray had attempted to introduce, and he at
once fell back into the recognised monotone, with a suspicion of the
sing-song rising and falling from sentence to sentence in his reading of
the Lessons, and the Prebendary once more followed his example; and so
the plague--or worse--was stayed.
Public-domain text, read in full here on John Shaqi.
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