The Lion of Janina; Or, The Last Days of the Janissaries: A Turkish NovelJókai, Mór
History
The Lion of Janina; Or, The Last Days of the Janissaries: A Turkish Novel
Jókai, Mór
Ali Pasa, Tepedelenli, 1744?-1822 -- Fiction; Janizaries -- Fiction; Turkey -- History -- Mahmud II, 1808-1839 -- Fiction
Ali Pasha himself had built the whole citadel of Janina, and had been
wise enough, as soon as the fortress was finished, to at once and
quietly remove out of the way all the builders and architects who had
had anything to do with it, so that he only knew all the secrets of
the place. There were secret exits and listening-galleries in every
part of the building, and each single group of redoubts which, viewed
from the outside, seemed quite isolated, was really so well connected
together by means of subterranean passages, that one could go backward
and forward from one to the other without being observed in the least.
At a later day Ali Pasha's enemies were to have very bitter experience
of these architectural peculiarities.
One could go right round the palace of the three Beys, both above and
below, by means of a secret corridor, and not one of the inhabitants
of the building had the least idea of the existence of this corridor.
It was in the midst of the fathom-thick wall between two rows of
windows, and within this space invisible doors opened into every
apartment, either between windows, or behind mirrors, or beneath the
ceiling between two stories, and these doors could not be opened by
keys, but turned upon invisible hinges set in motion by hidden
screws, and they closed so hermetically as to leave not the slightest
orifice behind them.
Ali Pasha stood there in the banqueting-chamber unobserved by any one.
He stood beside a huge Corinthian column, and here hung a black board
indicating the direction in which Mecca lay. He had no fear that any
one would look thither. That place, towards which every truly
believing Mussulman must turn when he prays, was carefully avoided by
every eye, for fear it should encounter the golden letters which
sparkle on the walls of the Kaaba.[6]
[Footnote 6: The chief sanctuary of the Mussulmans standing in the
midst of the great mosque at Mecca.]
For now is the time for enjoyment. There is no need of a heavenly
Paradise, for Paradise is already here below. There is no need to
inquire of either Muhammad or the angel Izrafil concerning the wine
which flows from the roots of the Tuba-tree; far more fiery, far more
stimulating, is the wine which flashes in glass and goblet. The houris
may hide their white bosoms and their rosy faces, for what are they
compared with the earthly angels whose mundane charms intoxicate the
hearts of mortals? Truly Muhammad was but an indifferent prophet, he
did not understand how to arrange paradise; let him but regard the
arrangements of Mukhtar Bey--they will show him how that sort of thing
ought to be managed.
Public-domain text, read in full here on John Shaqi.
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