England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction; Short stories, English
HE had the literary sense, but he had it as an inverted instinct. He had
a keen perception of the dramatically fitting in art, but no
counteracting vision of the fitting in life. Life and art, indeed, he
found from his earliest years difficult to disentwine, and later,
impossible to disentangle. And to disentangle and disentwine them became
at last the point of honour to him.
He first knew that he loved her on the occasion of her "coming of age
party." His people and hers lived in the same sombre London square:
their Haslemere gardens were divided only by a sunk fence. He had known
her all his life. Her coming of age succeeded but by a couple of days
his return from three years of lazy philosophy--study in Germany--and
the sight of her took his breath away. In the time-honoured _cliche_ of
the hurried novelist--too hurried to turn a new phrase for an idea as
old as the new life of spring--he had left a child: he found a woman.
She wore a soft satiny-white gown, that showed gleams of rose colour
through its folds. There were pink hollyhock blossoms in the bright
brown of her hair. Her eyes were shining with the excitement of this
festival of which she was the goddess. He lost his head, danced with her
five times, and carried away a crumpled hollyhock bloom that had fallen
from her hair during the last Lancers, through which he had watched her.
All his dances with her had been waltzes. It was not till, alone again
at his hotel, he pulled out the hollyhock flower with his ball programme
that he awoke to a complete sense of the insipid flatness of the new
situation.
He had fallen in love--was madly _epris_, at any rate--and the girl was
the girl whose charms, whose fortune, whose general suitability as a
match for him had been dinned into his ears ever since he was a callow
boy at Oxford, and she a long-black-silk-legged, short-frocked tom-boy
of fourteen. Everyone had always said that it was the obvious thing. And
now he had, for once, done exactly what was expected of him, and his
fine literary sense revolted. The worst of all was that she seemed not
quite to hate him. Better, a thousand times better, that he should have
loved and longed, and never won a smile from her--that he should have
sacrificed something, anything, and gone his lonely way. But she had
smiled on him, undoubtedly she had smiled, and he did not want to play
the part so long ago assigned to him by his people. He wanted to be
Sidney Carton. Darnay's had always seemed to him the inferior role.
Public-domain text, read in full here on John Shaqi.
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