Celtic literature -- History and criticism; Ireland -- In literature
And great is the blindness and sinful darkness and ignorance and
perverseness of those who teach and write and compose in Gaelic, that
with the view of obtaining for themselves the vain rewards of this
world, they are more desirous, and more accustomed to preserve the
vain, extravagant, false, and worldly histories concerning the Tuath
de Dananns and Milesians, Fionn, the son of Cumhail, and his heroes
the Feinn, and many others, which I shall not here mention, nor
attempt to examine, than they are to write, and to teach, and to
compose the sincere words of God and the perfect way of truth. For the
world loves falsehood more than the truth, and as a proof of it,
worldly sinful men will pay for falsehood, and will not listen to the
truth though they have it for nothing.
A great portion of the darkness and ignorance of such persons arises,
too, from the aforesaid truths not being taught in good books,
understood by all who speak the general language or habitual Gaelic
tongue.
This was a volte-face from the sympathetic attitude of the Dean of
Lismore, and no doubt included him in its sweeping indictment. Yet we
may take it as representing the attitude of the leaders of the
Reformation towards the literature as well as the beliefs and cults
tolerated by the Latin Church. For a time the great evangelical
movement, which had spread from Germany over England and Scotland, had
little effect in the Highlands. The people remained widely indifferent
to religious influences of every kind, except such lingering influence
as the Roman Catholic Church continued to exert upon them; but when at
length they came once more under the influence of evangelical preachers,
like Robert Bruce and others, the precedent set by Carsewell and the
reformers seems to have been less or more uniformly followed; and with
every revival of clerical authority there appeared an unmistakable
tendency towards a revival of clerical intolerance, painfully
detrimental to wholesome literature, as well as to music, athletic
sports, and amusements of every kind.
Consequently since the Reformation Gaelic oral literature has been
gradually disappearing, until, in the words of Mr. Alexander Carmichael,
“it is now becoming meagre in quantity, inferior in quality, and greatly
isolated.”
In his own collection, which represents the latest gleaning in this
field of Gaelic lore, we see the influence of the Church and the old
pagan traditions strangely intermingled. The very title, “Hymns and
Incantations,” suggests the double influence, the two streams which have
been running parallel, approaching each other, mingling and separating
all through Celtic literature.
Public-domain text, read in full here on John Shaqi.
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