Celtic literature -- History and criticism; Ireland -- In literature
│Kinross │ 6,280│ 6,981│ 56│ 55│ │ │
│Persons on Board │ │ │ │ │ │ │
│ Ship in Scottish │ │ │ │ │ │ │
│ Waters │ │ 9,856│ │ 887│ │ 6│
├───────────────────┼─────────┼─────────┼───────┼───────┼──────┼──────┤
│ Total │4,025,647│4,472,103│210,677│202,700│43,738│28,106│
└───────────────────┴─────────┴─────────┴───────┴───────┴──────┴──────┘
In the census of 1901 the schedule restricts the entries in the Gaelic
column to persons over three years of age. According to the previous
census the number of persons under three years of age amounted to 7½ per
cent of the whole population. This must be taken into account in order
to institute a fair comparison between the returns of the
Gaelic-speaking population in 1891 and 1901.
CHAPTER II
ST. PATRICK, THE PIONEER OF CELTIC WRITERS
The historical Patrick—Authentic records—Earliest known Gaelic
litterateur—Dates elusive—Birthplace—Autobiographical details of
his youth—Taken captive—Escape—Obscure wanderings—Return
home—The rôle of missionary in Ireland—Epoch-making
career—Remarkable Patrician Dialogues—His own literary work—The
“Confession”—“Epistle to Coroticus”—“Deer’s Cry”—Ireland’s
oldest book—Three other antique compositions from the Book of
Hymns—A curious prophecy—Personal character—Death.
It is a characteristic of our age to doubt, if not to deny, the
historical reality of many of the heroic figures that hover in the
background of history. And such a doubt has extended even to St.
Patrick, due largely to the fact that he is not mentioned by the early
historians Prosper of Aquitaine (402–463) and Bede (673–735), both of
whom attribute the conversion of Ireland to Palladius.
But this seeming omission has been explained on the highly probable
assumption that Patrick[10] was the Palladius of these writers; and
against the merely negative inference there is the positive and almost
overwhelming voice of history and tradition, which puts the essential
features of Ireland’s apostle beyond all doubt.
Public-domain text, read in full here on John Shaqi.
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