Celtic literature -- History and criticism; Ireland -- In literature
Like St. Columba in after years, St. Patrick addressed the tribesmen
through their chiefs and kings, and was tolerant of contemporary
superstitions, seeking rather to graft the new faith upon the old. He
adopted the pagan festivals and associated them with Christian events.
At Tara, however, he attacked paganism in its stronghold and burnt the
druidical books, extorting from King Laoghaire a reluctant acquiescence
in his work. From the chief, Daire, he obtained the site for his famous
monastery at Armagh, which became his headquarters. He threw down, in
what is the present county of Cavan, the great idol Crom Cruach—object
of immemorial veneration and savage rites. From the huge stone, which
bowed westward on that day of doom, the demon is reported to have fled
to hell, leaving his fallen image leaning over, so that what was once
called “The Chief of the Mound” was henceforth known as “The Crooked one
[Crom Cruach] of the Mound.”
As his work advanced, a vast following of missionaries, bishops, and
even chiefs and sub-kings, with their subjects, came under his
influence. He had a share also in reforming the ancient druidical laws
of Ireland, and bringing them more into harmony with Christian
principles. According to the “Four Masters,” it was in 438 the part of
the Brehon Law known as the Seanchus Mor, and still preserved in
venerable documents, was redacted. Much of the work may be of later
dates, but tradition credits St. Patrick with having undertaken the task
along with others, and with having effected a drastic purification in
his own lifetime.
Many legends have gathered round his name during the ages, and
superstitious beliefs, as one might expect. Yet, so great is his
prestige in the land of his adoption to this day, that not only are
thousands called by his name, but the peasantry of Ireland actually
believe that St. Patrick banished snakes from the island.
The historical records know nothing of any meeting between Ossian and
the saint; yet in some of the older MSS. there are Dialogues[12] in the
heroic style reported as having been carried on between them, the bard
representing the pagan ideal of his ancestors, the saint the Christian
ideal of the Church. They are evidently the work of later times, some
centuries, no doubt, after the saint’s time. But, both from a literary
and religious point of view, they are profoundly interesting.
Besides these characteristic Dialogues reported in the Book of Lismore
and other ancient MSS., and assumed to have taken place between St.
Patrick and Ossian, there is a romantic and beautiful one recorded by
Tirechan, and repeated with more or less variations in the Lives of St.
Patrick, and consequently of great antiquity. It is taken from the Book
of Armagh.
The saint had come to the well called Clebach, and before sunrise sat
down beside it with his followers.
Public-domain text, read in full here on John Shaqi.
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