The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present dayMacNeill, Nigel
History
The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present day
MacNeill, Nigel
Scottish Gaelic literature -- History and criticism
But granting that Ossian is not a myth, but a veritable man who was a
great bard among his people, a further question arises, Was the poet
Irish or Scottish? The Irish have all along declared that the true
and original Ossian belonged to them, and lived in their country.
Their indignation over Macpherson’s productions knew no bounds.
All Macpherson’s heroes are represented as _going from_ Alba _to_
Erin, which harmonizes well with the recent deliverances of Sayce
and Rhys. He described all the Irish Ossians as fictions and fables
manufactured by monks in the Middle Ages, and as so far inferior to
the genuine remains of Ossian as the most insipid heroics of the
present day are to the immortal productions of Homer. He showed that
their system of chronology could not be harmonised—that it was, in
fact, absurd. As represented in the everlasting dialogues between
the poet and the saint, he asked how could Ossian, who was supposed
to live in the third century, hold converse with St. Patrick, who
did not arrive in Ireland till the fifth century? No such objections
could be brought against Macpherson’s Ossian, whose chronology
was, perhaps conveniently vague, fairly consistent with itself.
The Irish _literati_ then betook themselves to the manufacture of
poems _a la_ Macpherson, whom they denounced first as a thief and
afterwards as a forger. When they failed to produce any poems of
such superior merit as those of Macpherson, the theory of theft from
the Irish was given up, and that of forgery substituted. It was
quite evident that the Scottish “Ossian” published by Macpherson was
very different from the composer of Irish ballads and Finian tales.
It was admitted by the Scottish patriots that there was a Scottish
Ossian very like the Irish one—that of the later or heroic ballads
and of the popular tales. But they held that this was a spurious,
inferior, and more recent bard or bards, who attached the name of the
great father of Gaelic poetry to their own productions; and that the
genuine, true, and original poems of Ossian, the immortal poet of the
ancient Caledonians, were translated and published by Macpherson.
The claims of the two countries cannot be satisfactorily adjusted or
reconciled. History, however, conclusively shows that the Gaels of
the North of Ireland and those of Scotland were at this period very
closely related—were, indeed, but one people. Just as Shakespeare is
claimed by all sections of the English-speaking world as their common
heritage, so Ossian would be regarded by all the Gaelic-speaking
tribes or clans as their common property.
Ossian occupies the same place in both the Irish and Scottish
genealogies of the great Finian family. He is the son of Finn or
Fingal, the father of the brave and peerless Oscar, the chief bard of
his people.
Public-domain text, read in full here on John Shaqi.
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