Indic drama; Sanskrit drama -- Translations into English
A master, kindly and benevolent,
His servants love, however poor he be.
The purse-proud, with a will on harshness bent,
Pays service in the coin of cruelty. 1
And again:
A bullock greedy for a feast of corn
You never can prevent;
A wife who wants her lord to wear a horn
You never can prevent;
A man who loves to gamble night and morn
You never can prevent;
And blemishes[44] that with a man are born
You never can prevent. 2
It is some time since Chārudatta went to the concert. It is past
midnight, and still he does not come. I think I will go into the
outer hall and take a nap. [_He does so._]
* * * * *
[_Enter Chārudatta and Maitreya._]
_Chārudatta._ How beautifully Rebhila sang! The lute is indeed a
pearl, a pearl not of the ocean.
Gently the anxious lover's heart befriending,
Consoling when true lovers may not meet,
To love-lorn souls the dearest comforts sending,
It adds to sweetest love its more of sweet. 3
_Maitreya._ Well then, let's go into the house.
_Chārudatta._ But how wonderfully Master Rebhila sang!
[44.1. S
_Maitreya._ There are just two things that always make me laugh.
One is a woman talking Sanskrit, and the other is a man who tries
to sing soft and low. Now when a woman talks Sanskrit, she is like
a heifer with a new rope through her nose; all you hear is "soo,
soo, soo." And when a man tries to sing soft and low, he reminds
me of an old priest muttering texts, while the flowers in his chaplet
dry up. No, I don't like it!
_Chārudatta._ My friend, Master Rebhila sang most wonderfully
this evening. And still you are not satisfied.
The notes of love, peace, sweetness, could I trace,
The note that thrills, the note of passion too,
The note of woman's loveliness and grace--
Ah, my poor words add nothing, nothing new!
But as the notes in sweetest cadence rang,
I thought it was my hidden love who sang. 4
The melody of song, the stricken strings
In undertone that half-unconscious clings,
More clearly sounding when the passions rise,
But ever sweeter as the music dies.
Words that strong passion fain would say again,
Yet checks their second utterance--in vain;
For music sweet as this lives on, until
I walk as hearing sweetest music still. 5
_Maitreya._ But see, my friend! The very dogs are sound asleep in
the shops that look out on the market. Let us go home. [_He looks
before him._] Look, look! The blessèd moon seems to give place to
darkness, as she descends from her palace in heaven.
_Chārudatta._ True.
Public-domain text, read in full here on John Shaqi.
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