The little country theaterArvold, Alfred G. (Alfred Gilmeiden)
General
The little country theater
Arvold, Alfred G. (Alfred Gilmeiden)
Little Country Theater (Fargo, N.D.); Little theater movement; Theater -- North Dakota -- Fargo
THE LITTLE COUNTRY THEATER
With a knowledge of these basic facts in mind, as well as a personal
acquaintance with hundreds of young men and women whose homes are in
small communities and country districts, the idea of The Little Country
Theater was conceived by the author. A careful study of hundreds and
literally thousands of requests received from every section of the state,
as well as of America and from many foreign countries, for suitable
material for presentation on public programs and at public functions,
showed the necessity of a country life laboratory to test out various
kinds of programs.
The idea conceived became an actual reality when an old, dingy, dull-grey
chapel on the second floor of the administration building at the North
Dakota Agricultural College, located at Fargo, North Dakota, was
remodeled into what is now known as “The Little Country Theater.” It
was opened the tenth day of February in the year nineteen hundred and
fourteen. In appearance it is most fascinating. It is simply a large
playhouse put under a reducing glass. It is just the size of an average
country town hall. It has a seating capacity of two hundred. The stage is
thirty feet in width, twenty feet in depth, having a proscenium opening
of ten feet in height and fifteen feet in width. There are no boxes and
balconies. The decorations are plain and simple.
The color scheme is green and gold, the gold predominating. Three beams
finished in golden oak cross the mansard ceiling, the beams projecting
down several feet on each side wall, from which frosted light bowls and
globes are suspended by brass log chains, the indirect lighting giving a
soft and subdued tone to the whole theater. The eight large windows are
hung with tasteful green draperies. The curtain is a tree-shade green
velour. The birch-stained seats are broad and not crowded together.
There is a place for a stereopticon and a moving picture machine. The
scenery is simple and plain. Whenever possible, green curtains are used.
Simplicity is the keynote of the theater. It is an example of what can be
done with hundreds of village halls, unused portions of school houses,
vacant country stores and basements of country churches in communities.
[Illustration: An Old Dingy, Dull-Grey Chapel on the Second Floor of
the Administration Building was Remodeled Into What Is Now Known as The
Little Country Theater]
There are three unique features in connection with The Little Country
Theater which deserve special mention—the tower, the attic or “hayloft,”
and the package library system.
The tower is just to the right of the lower end of the stage. It, too, is
plain and simple. It is used as a study and contains materials gathered
from all over the world on the social side of country life.
Public-domain text, read in full here on John Shaqi.
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